"Limelight is about how often we find ourselves looking to be anywhere but in the now. We get glimpses of the present moment but predominantly live in a distant reality.

DEVILSKIN have garnered a formidable reputation and a solid fan-base worldwide from their relentless touring schedule. A swathe of brilliant live reviews from Europe to USA to Australia are testament to the groundswell of support for this hard-working and focused New Zealand act. 

Siobhan says of the song, “I wanted to get to the core of my feelings rather than be angry at this friend because sometimes things happen and people can’t always be there for you.”

the five intimate reinterpretations of Parking Lots (Revisited) range from Mia’s first and last singles released from the original album ‘Roll Me Out’ and ‘I Meant Something To You Once’, to the gorgeous stripped down piano performance of ‘Choose’.

’Can’t Help Myself’ is about the push and pull of falling in love with someone you never expected to.

Body Parts is real-life psychosis in a song. It’s dark, it’s diverse, it’s crazy and it’s real... or was it really a dream?

…The Faction felt that now is the time for the station to gain a fresh face and voice, heading into 2021 and beyond - and Nashy is that voice!

Believe Australia is proud to announce a significant new global label distribution deal with emerging Sydney-based indie Double Drummer Recordings.

“The concept is simple; it takes my familiar ‘loungeroom’ and places it in the most ruggedly beautiful natural location we could find. We humans are at home in nature..”

The acoustic guitar is graciously strummed and picked in turn as Abberley's vocals serenade in a slow-burning fashion. The guitar gets embellished as layers of ambient howls set up a chilling atmosphere where a bass drum pulse is introduced to build the tempo towards the half-time chorus.

Musing on themes of religion, spirituality, heartbreak, self-improvement and the cyclical nature of life, BURN AFTER LISTENING centres the confessional nature of baby bruh’s lyricism, while Taki Local’s production matches that fragmented energy with a boundarylessness.

‘Fuck it Up’ is a song that, at its core, is about a broken friendship. It showcases NABN’s ability to tackle sincere and serious lyrical content whilst dressing it up with surprisingly bright and sparkling synth-pop accoutrements.  

…”I really hope people settle in with a really good set of speakers, a really good friend or two, and a really nice bottle of wine, and let me see if I can’t give them an online performance that isn’t quite like anything they’ve ever seen.”

To the band, Panic Force means fast living and the unknown of what will come next. "It's an amalgamation of everything you could have ever wanted" says vocalist Lil Dijon

Uplifting and energetic, the soaring soundwaves of ‘Interstellar Love’ feature the tender vocal of Leon Bridges and typically audacious sampling from The Alan Parsons Project’s iconic ‘Eye In The Sky’.

‘Same Blunt’ was written in a spontaneous fury, coming together in a single day over cheap beers and weed.

In tandem with the news of the album’s release, Stone unveils third single ‘Dance’ with video directed by Jessie Hill and featuring extraordinary performances from multi award-winning actors Susan Sarandon and Danny Glover.

“In a few short years, Eliott has established herself as an artist with the ability to tell her story in a way that makes the listener feel it for themselves.”

… “The song was written as an emotional outlet to express feelings from a personal experience and to send a message across that it is important to tell the truth, no matter what the situation is, as lying only causes more harm than good.”

Armed with an unwavering sense of justice, hard-earned life lessons and the legacy of those to have waved the flag of equality before them, BOYSCLUB have tasked themselves with systematically dismantling the prevailing wisdom…