GRETA VAN FLEET: 5 Essential Tracks to Check Out Ahead of Australian Tour This Month

Grammy Award Winning U.S. Rock act GRETA VAN FLEET are set to make their highly anticipated return to Australian and New Zealand shores this August for the first time since 2019. Having sold out their Brisbane Fortitude Music Hall show on August 21st, they recently announced a second show at the Brisbane venue on August 22nd. Following that, they’ll play Sydney’s Hordern Pavilion on August 24th and the Margaret Court Arena in Melbourne on August 27th before jumping over the ditch to Auckland to play Spark Arena on August 30th where they will be joined by Colorado primal rock trio THE VELVETEERS.

The Frankenmuth, Michigan natives formed in 2012, consisting of brothers - vocalist Josh Kiszka, guitarist Jake Kiszka and bassist/keyboardist Sam Kiszka – who were then joined by drummer Danny Wagner.  The band announced their arrival on the scene in a massive way in 2017 with their EP From The Fires, which won Best Rock Album at the 61st Grammy Awards.

Their meteoric rise continued with the release of their critically acclaimed sophomore album The Battle at Garden’s Gate which was released in 2021 and debuted at #1 Billboard Rock Album, #1 Billboard Hard Rock Album, #1 Billboard Vinyl Album, #2 Billboard Top Album Sales and in the Top 10 on the Billboard 200. 2023’s Starcatcher album also crashed into the Billboard Top 200 chart at #8 which has seen GRETA VAN FLEET entrenched as a fully-fledged Rock Powerhouse!

Grab your tickets here: gretavanfleet.com & livenation.com.au & livenation.co.nz

We reveal the Top 5 Essential GRETA VAN FLEET tunes to check out ahead of their Australian Tour later this month.

1. Highway Tune

‘Highway Tune,’ is the breakout single originally from their debut EP Black Smoke Rising, is a raw, high-energy rock anthem that catapults listeners back to the golden age of rock 'n' roll. The track, released in 2017, showcases the band's deep-rooted influences while carving out a distinctive sound that resonates with contemporary audiences.

From the very first riff, ‘Highway Tune’ makes an immediate impact. The song opens with a blistering guitar intro that sets the tone for what's to come—an unapologetic homage to classic rock. Jake Kiszka's guitar work is reminiscent of Jimmy Page, delivering electrifying riffs and solos that are both familiar and fresh. His playing is precise yet ferocious, capturing the spirit of rock legends while injecting his own flair.

Josh Kiszka's vocals are a standout feature, drawing inevitable comparisons to Robert Plant. His voice soars with a powerful range and intensity, bringing a passionate and almost primal energy to the track. On ‘Highway Tune’ Greta Van Fleet manages to bridge the gap between past and present, proving that rock 'n' roll is very much alive and kicking.

https://www.youtube.com/watch?v=aJg4OJxp-co

2. Safari Song

‘Safari Song’ stands out as a potent reminder of the band's classic rock roots and their capacity to deliver a powerhouse performance. It’s clear that Greta Van Fleet is channelling the spirit of the 70s. The riff-heavy intro, driven by Jake Kiszka’s gritty guitar work, grabs the listener’s attention and doesn't let go. His guitar tone is both vintage and vibrant, delivering a riff that feels as timeless as it does electrifying. Sam Kiszka's bass line complements this perfectly, providing a groove that propels the track forward with a relentless drive.

Josh Kiszka’s vocals are a highlight here. His range and delivery are reminiscent of the legendary classic rock vocalists but with a fresh, youthful edge. He brings a sense of urgency and passion to the lyrics, which revolve around themes of freedom and adventure. The lyrics evoke a sense of wild escapism, adding a layer of lyrical allure to the musical intensity.

‘Safari Song’ is a triumphant declaration of Greta Van Fleet's musical identity. It’s a high-octane, nostalgic journey through the heart of rock ‘n’ roll, delivered with a youthful intensity that marks the band’s early work.

https://www.youtube.com/watch?v=1lfBC6S9qVM

3. Light My Love

‘Light My Love’ is a song that stands out with its emotive depth and powerful instrumentation. The band, often compared to 70’s rock legends continue to carve out their own niche with this track from their 2021 album, The Battle at Garden's Gate.

 The song opens with a gentle, piano-driven melody, creating an immediate sense of intimacy and tenderness. Josh Kiszka's distinctive vocals soar with emotional clarity, capturing the listener's attention from the first note. His voice, filled with a raw yet controlled passion, pairs beautifully with the song's poignant lyrics, which speak of love, connection, and the power of emotional support. 

‘Light My Love’ showcases Greta Van Fleet's ability to balance classic rock influences with their own unique sound. The song's structure, building from a gentle beginning to a powerful crescendo, keeps the listener engaged throughout. Lyrically, ‘Light My Love’ is heartfelt and sincere. It speaks to the universal experience of seeking and offering love and support in times of need and is a testament to Greta Van Fleet's growth as a band.

https://www.youtube.com/watch?v=Vl2eioeM4xQ

4. Black Smoke Rising

‘Black Smoke Rising’ is a thunderous testament to the band’s ability to channel the raw, unadulterated energy of classic rock into a modern context it grips listeners with its powerful, riff-heavy introduction. The song’s instrumental prowess is immediately evident, with Josh Kiszka’s sizzling vocals cutting through the mix like a bolt of lightning and brings an urgent, primal energy to the track, while the instrumental backing is a blend of gritty guitar riffs, thunderous drumming by Danny Wagner, and a driving bassline courtesy of Sam Kiszka that feels both nostalgic and fresh.

Musically, the song is a masterclass in retro rock revival. The guitar work, reminiscent of the late ‘60s and early ‘70s, is both intricate and powerful, drawing comparisons to Led Zeppelin and Deep Purple. However, Greta Van Fleet doesn’t merely imitate their predecessors; they infuse the sound with their own youthful exuberance and modern sensibility. The song’s high-energy dynamics are felt as much as they are heard, making it a compelling listen from start to finish.

It’s a song that not only pays homage to the giants of rock but also charts a bold path forward for the band’s future. Greta Van Fleet’s reverence for the genre’s roots is evident, but they also bring their own distinctive flair to the table, making this track a standout in their discography. It’s a song that not only pays homage to the giants of rock but also charts a bold path forward for the band’s future.

https://www.youtube.com/watch?v=8cepUUKMp1g

5. Heat Above

‘Heat Above’ from their 2021 album The Battle at Garden's Gate is a stunning showcase of the band's evolution and maturation. They have taken a significant leap with this track, blending their classic influences with a more expansive, ambitious approach.

From the first notes of ‘Heat Above,’ it’s clear that Greta Van Fleet is not content with merely echoing the sounds of rock's past. The track opens with a sweeping, orchestral introduction that sets a grand tone. The arrangements and cinematic flair are a departure from their earlier, raw rock edges, suggesting a new level of sophistication and emotional depth. 

The song’s structure is expansive, featuring a dynamic build-up that transitions from a tender, piano-driven verse to a powerful, anthemic chorus. Josh Kiszka's vocals are mind-blowing and powered with newfound maturity and emotional resonance. He manages to convey both vulnerability and intensity, striking a balance that adds a layer of depth to the song. Since its release, ‘Heat Above’ has been met with acclaim for its ambitious sound and the band's willingness to push their boundaries. Critics have noted the song as a standout track on The Battle at Garden's Gate, highlighting it as a key moment in the band’s career where they solidify their identity while still honouring their influences.

https://www.youtube.com/watch?v=vrWFu5k1Jpg

INTERVIEW: CHARLIE HANRHAN IS GOING IN ‘CIRCLES’

We caught up with Melbourne based artist ‘Charlie Hanrhan’ about his new single ‘CIRCLES’, Blending Genres and Emotions

At just 23 years old, Charlie Hanrhan from the Mornington Peninsula in Melbourne is making waves in the music industry with his unique sound and introspective lyrics. The self-produced multi-instrumentalist singer-songwriter is gearing up for the release of his latest single, 'Circles,' debuted on Feb 10. With influences ranging from Little Simz to David Bowie, Hanrhan's music combines modern trap electronic production with elements of hip-hop, soul, and rock n' roll, creating a captivating sonic experience for listeners.

Hanrhan's musical journey is deeply rooted in his love for various genres, including soul, funk, hip-hop, and rock n' roll. His upcoming album, slated for release in 2024, promises to showcase his versatility and creative vision. Despite drawing comparisons to established artists like Rahgd and Kendrick Lamar, Hanrhan maintains a distinctive style that sets him apart in the industry.

In a recent statement, Hanrhan expressed his passion for music, describing it as his escape and the love of his life. He spends countless hours in his home studio crafting intricate beats, meaningful lyrics, and immersive melodies that resonate with listeners on an emotional level. His dedication to his craft is evident in the depth and sincerity of his musical compositions.

One of Hanrhan's previous successes, 'I'm Good, I'm Rich,' garnered attention from various platforms, solidifying his presence in the music scene. He has been featured on radio shows like RppFM's Sunday Sessions and gained recognition from publications such as Happy Mag and Aus Music Scene. Hanrhan's upcoming album is highly anticipated, with fans eagerly awaiting his next musical chapter.

Despite his busy schedule as a full-time Support Worker, Hanrhan devotes over 30 hours a week to creating music, showcasing his relentless work ethic and commitment to his artistry. He describes his sound as challenging to categorize but believes that the right audience will connect with his expressive techniques over time.

'Circles,' Hanrhan's latest single, delves into themes of self-awareness, personal growth, and mental health. The track reflects on mundane yet profound moments in life, urging listeners to stay positive and true to themselves. Accompanied by meticulously crafted music videos, the single promises an immersive experience that captures the essence of Hanrhan's artistic evolution.

As Charlie Hanrhan continues to evolve and push boundaries in the music industry, 'Circles' serves as a testament to his talent and dedication. With a message that resonates with audiences worldwide, Hanrhan invites listeners to join him on a sonic exploration of life's highs and lows, promising an unforgettable musical journey.

For more information and to connect with Charlie Hanrhan, visit his social media links here.

For More Info, and social media links:
https://msha.ke/charliehanrahan 

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INTERVIEW 

Can you tell our readers about your new single 'Circles', and a little bit about who you are?

Hello readers, my name is Charlie. Hop you’re doing well and cheers for reading this. You know what would be cool. If we broke the fourth wall right now ahah. Hit me up on insta or wherever tf and tell me how you are lol (@charliehanrahan__)…. Shameless promo x. I’m a 23 yo dude from the Mornington Peninsula, Vic. This song is basically about breaking free and reflection of being trapped in somewhat toxic lifestyles surrounding drugs, alcohol, and partying etc. I find myself easily manipulated into environments that I really don’t feel apart of. 

Who did you work with for this single, and what does the name of the track mean?

So basically everything bar those angelic backing vocals you hear towards the end was produced by myself. The title of the track represents the patterns of them unhealthy lifestyle habits I speak about. You know, work for the weekend, party for days straight. Allll of that shit.  

How do you put music together, or do you work with a Producer, if so who?

No producer. I’ve tried working with various producers in the past but I just have such a specific sound in mind when creating and I know that if it’s not exactly how I like it, it just won’t work out. So generally I work alone. I get that that might be seen as boxing myself in but it works for me, that’s how I like to do things. So it’s just hours and hours in my home studio. A. Song will come together over time though. Often I will completely finish a song and if it doesn’t quite hit, I’ll strip down that entire song and start from square one. 

What are some of your go-to records to listen to, when you're either chilling or working on new music?

It really does vary so much, I created this particular record so long ago I’d have no idea what I was listening to at that time. At the moment I’ve been enjoying Sampha’s new album a lot. I’ve also been going through a Yatchy phase and Scaring The Hoes is on repeat. 
Anything exciting coming up over the next few months?

You know I’ve always got projects on the go behind the scenes without a plan on when to release them. So, I might have an album out next week or in 6 months time. I act irrationally with these things. People say that’s a bad way to do it but my audience will find it eventually lol. I’m sort of beyond the point of really giving a f*ck about what people say because at the end of the day I do this for myself. Also I’m moving to London to try make something out of myself. It doesn’t seem to be working for me in Aus. So imma hit the road. Right in the deep end you know.

What other artists and or creatives are from your community, and who should our readers get across?

A couple names come to mind straight away. I’ve been gracious enough to play along side Squid the Kid and his crew over the past few months. Squid had me play some bass with his band at some shows that was just so much fun ! I’ve also been gracious enough to play bass with Seaweed on Sticks. Som e more legends who’ve had me on board. Getting to know both of these artists and work along side them has been such a great joy. They’re both insanely talented crews and even better people. 

What do you like to do, outside of writing, recording and playing music?

Ahahah not much lol. Music consumes me. I like to swim. Always get some laps in at my local pool. Shoutout to YAWA down in Rosebud. They’ve also got a dope ass sauna in there. I also love food and with that, a healthy lifestyle. 

Do you have any shows coming up? Any last words?

No shows. I’m leaving for London as I said.  Booking a show would just be too stressful for me at this point. Uhhhhhh I’ll sign off by saying thank you and I love you. 

Astro Elevator are Putting Us Into a Kaleidoscopic Trance With Their Latest Single

Astro Elevator, the daring quartet hailing from the vibrant musical scene of Melbourne, have unleashed a sonic storm upon listeners with their latest single, "Kaleidoscopic Trance," released on January 24, 2024. This electrifying track offers a tantalizing glimpse into their forthcoming second album, "Cosmo Vortexia," promising a musical odyssey that transcends boundaries.

Formed in the midst of 2019, Astro Elevator draws inspiration from a diverse array of musical influences spanning the realms of 60s garage psychedelia to the intricate landscapes of 90s and 00s progressive rock. Following the triumph of their debut LP, "Lysergic Liquid Maze of the Psychotropic Triptonauts," the band experienced a meteoric rise in popularity, evidenced by sold-out hometown shows and their inaugural interstate tour in 2022.

"Kaleidoscopic Trance," a compact two-and-a-half-minute musical journey, stands as a testament to Astro Elevator's evolution. The track builds upon the foundations laid by their debut, incorporating complex song structures and a more progressive approach to songwriting. In this latest release, the band's distinctive fusion of driving energy, spaced-out jams, and dueling guitars takes center stage.

Immersing listeners in a swirling maelstrom, "Kaleidoscopic Trance" catapults them into a sonic journey spiraling ever upward. The band deftly navigates the delicate balance between control and chaos, with a formidable rhythm section propelling burning comet-tail guitars through an ascending progression of escalating intensity. The track reaches its zenith with thumping beats and wailing guitars reminiscent of titanic battles, only to clear the air with a pulsating width, leaving audiences in a state of stupefied awe.

All the tracks are crafted and performed by Astro Elevator, showcasing their collective musical prowess. The single was meticulously recorded and mixed by Rohan Sforcina at Head Gap Studio in Preston and masterfully fine-tuned by Lachlan Carrick. Dr Cheeto Feather Pants contributed additional recordings and played organs, while Inktally lent their artistic touch to the mesmerizing artwork design, and Tony Roberts encapsulated the band's essence through captivating photography.

"Kaleidoscopic Trance" emerged organically during an intense creative session, embodying the unmistakable influence of Mars Volta with its chaotic drums and driving guitars. Clocking in at two minutes of unbridled energy and fury, the track invites listeners to embark on a personal and enthralling auditory journey with Astro Elevator.

Astro Elevator · Kaleidoscopic Trance

Backbeat caught up with Astro Elevator to find out more about their influences, team, and upcoming releases and shows.

Can you tell our readers about your new single 'Kaleidoscopic Trance'

Kaleidoscopic Trance is the first single off our forthcoming album. We wanted to make a short, hard hitting, energy packed psychedelic song. The song weaves in and out of an ascending progression with a bombardment of swirling delay drenched guitar solos in the middle, where the song finally releases the tension and breaks free. While it all seems to be chaotic and frantic, the driving rhythm section keeps everything tight and in control. Hopefully the listener will be engaged to wonder where it's all going. The song packs a lot of punch for clocking in at just over two minutes!

Who did you work with for this single, and what does the name of the track mean?

We recorded and mixed the album at Head Gap Studio in Melbourne with engineer Rohan Sforcina. The name of the track comes from the song's lyrics. The ascending progression of the song, along with the ferocious drum fills kind of made me picture something trippy. Like transportation, freefalling and spinning down a tunnel of mesmerising and reflecting colours, so out of that imagery came Kaleidoscopic Trance.

What are some of your go-to records to listen to, when you're either chilling or working on new music?

Lately I've been listening to a lot of 60's garage/psych playlists. Finding forgotten hidden gems from the birth era of psychedelic music. Some other artists that have been getting a run lately include Tom Petty, Lee Hazlewood, The Flaming Lips, The lemon Twigs, Dr John, Elea Craig, The Allman Brothers, Bob Dylan, The Grateful Dead, The Pretty Things, The 13th Floor Elevators

Can you tell us about the upcoming album, and what can we expect?

The album is titled Cosmo Vortexia. It has a few really progged out songs, some clocking in at over 6 minutes. We're experimenting with textures in sound and dynamics. We like to challenge ourselves to come up with a sound that's unique and interesting to record and play live. It's an album where the listener can really sit back and go with the flow, letting them join in on a journey into the unknown. It's only 6 songs long but there's always a lot going on

Anything exciting coming up over the next few months?

Yes, we have the single launch of Kaleidoscopic Trance on Feb 9 at The Beast. A second single will be out in a couple of months. We also have a small run of shows planned for NSW in May. Then we'll release the album and continue playing and touring as much as possible

What other bands are from your community, and who should our readers get across?

A few bands that we've played with that stand out, Sons of Zoku, Maisie, Scatter Light, Skerzo, The Black Heart Death Cult, Zelkova

What do you like to do, outside of writing, recording and playing music?

We're all pretty chilled out when we're not working on music. Other interests include camping, hiking, watching weird documentaries, movies, reading, NBA, jujitsu, guitar making. Although music consumes a lot of our time, it's all of the band members main passion and hobby

Any last words! 

Stay High!

INTERVIEW: JAMES (BASSY) KARAGIOZIS - BETWEEN YOU AND ME

For those of you living under a rock, there is a not so new band taking over - Between You and Me (BYAM). The pop punkers signed to Hopeless Records and recently released their second album ‘Armageddon’. With over two million streams in the first week and picked for triple j spotlight album of the week, BYAM are on a rollercoaster that only goes up my friend.

There may be some bias in my affection for the band as I happen to be friends with bass player and all around legend, James Karagiozis aka mister bass or bassy. I convinced him to sit down for a chat and tell me more about the band.

Image: Travis Suttie

Who are BYAM?  

A five piece rock and roll band originally from Melbourne, but now we live in Victoria and NSW.  

How did you meet? 

I was the final piece of the puzzle, Chris and Jamie obviously met when they were born. The twins moved down to Melbourne. Me and Jai played in a band prior to Between You and Me. They needed a bass player somewhere down the line….Jai called me to fill in for a tour and then me and Jake became best friends.

And that's it.  

What's your favourite song on the new album and why?  

My favourite is Real World. I didn’t have anything to do with it. I said to do one thing, and it was the break before the first chorus. That's all I did in Real World. I remember sitting in the studio a month or two after we'd finished with Sam [‘Armageddon’ producer, Sam Guiana] and Jake was flying down to Melbourne to finish the rest of the vocals. When he laid down that chorus, they had just made it and because it was newer, we hadn't heard that song, that's why I liked it.

It also has a vibe of living carefree. So that's why I like that song, it's basically how me and Jake live our lives. He told it in a song, we get money and spend it because we want to have a good time.

“And we’ll worry about real life tomorrow.  ”

— Bassy

Where did the name ‘Bass’ come from? 

This is the most random story. It was one of my friends, the first time I jammed with him to join the band. I was joining to play bass. At the end of the practice, Stu [Stu Watts of Marshall Street Studios] was saving my number in his phone so he could call me if they wanted me to be in the band. He saved my name as James Bass [like the instrument bass]. But then he said James Bass instead [like the fish]. And then from that point on, they called me Bassy and that's how I had Bassy until this day.  

What would your dream venue be to play?

Both in Melbourne and internationally? 

Melbourne - obviously it's The Forum. Absolute dream. I saw Jet play there two years ago and it was sick. They're one of my favourite bands. Playing in there is such a cool vibe, that venue with the blue roof and everything. It feels like you're playing outside. I saw Temper Trap there and it was amazing. If you can play The Forum and sell out The Forum, you have made it.   

International - probably Madison Square Garden if that ever happens. That would be the ultimate, headlining Madison Square Garden.

Attainable? I don't know. But we'll see what happens.  

Bieber did it in a year.  

Well……it's taken us five years to play The Corner! [laughs].

Who are your biggest band influences? 

Number one, Blink 182. Everything I learned is from them. I remember in high school, jamming with one of my mates. We didn't really know how the songs went, but it was so easy to figure out, we taught ourselves how to play music by listening and playing blink. That would be the ultimate influence.  

If we're talking influential for me as a musician, it'd be a lot of early pop punk bands. Pretending to be Deryck Whibley from Sum 41 in my mirror with my Les Paul, singing ‘Fat Lip’ over and over again after school. New Found Glory. In pop punk I like those jokey characters in bands, the bassist from New Found Glory. But anyone that told jokes, I felt jokes and being funny on stage came before actually being good. The instrument kind of came secondary at the start. Then I started to try and write songs after that. I could get on stage and joke around, and then we'll play songs in between our jokes. That's it to me. 

UNIFY 2020

Bass riding an inflatable boat across the crowd

After a show, what is the best post gig food?

I enjoy playing in Philly because we always get Philly cheese steaks after the show at like 2am That's always fun. It's meat and cheese and onions in bread. Whenever we finished playing, it's always late, so it's something disgusting. I do enjoy waffle house late at night in the US. In Australia we go Maccas or something. Any junk food really. I don't like eating before a show so I'm super hungry when we finish because if we're onstage on stage and I feel full I feel disgusting. I'll starve myself before show. And then after we'll pick out whatever is available.  

Actually got it!! Peanut butter jelly sandwich! When we were doing the US and we didn't really have any money I'd make sure we always had peanut butter jelly and bread 

When you are touring, what's on your rider?  

On our actual rider is a bottle of vodka, a slab of beer, slab of Coke Zero and then a meal each.  Dream rider would be a masseuse or someone to feed me grapes…..maybe someone to paint my nails a different colour every night. 

I think you will have people volunteering to do that. 

Actually, on our first US tour, I'd said that I would paint a fans nails at merch and then they bought a sign that said “Sassy Bassy Nail Salon”. I would have to set it up every night….it only lasted two nights. That's pretty fun. I made six bucks. That's pretty good. In Australia, someone paid me $20 to paint their nails. 

Between You and Me are embarking on a headline national tour in February 2022, they are not to be missed! Buy tickets here

BYAM are my top pick for Hottest 100, don’t forget to vote!!

FOLLOW BETWEEN YOU AND ME

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A Q&A WITH VERSEARY

Our gal Ashlee had an e-chat with Verseary for a quick Q&A about her upcoming double single A Fools Gold.

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Firstly, I just want to say that it was great working with you on this project and congratulations on the release! What was some of the inspiration behind ‘A Fools Gold’? 

It's a single with an extra song. The new song is called Losing Game.

It's called “A Fool’s Gold” as a lot of people were moving from Melbourne to regional areas of Victoria to escape the Covid restrictions. 

Essentially, the grass is not being greener on the other side. It’s also another term for pyrite which is fake gold. Victoria has many gold rush towns. Where I grew up and stayed last year was one of them. 

During our recording sessions we had a few struggles. Do you want to talk about that a little bit? 

We recorded in a busy rehearsal space and each room I had hired ended up next to the larger rooms that were occupied by a couple of Melbourne metal groups. 

You do what you can on a budget, and It was wonderful that the place was booked out and everyone’s able to rehearse again.

It was quite the competition when it came to recording vocals, but we got there in the end.

 You did an amazing job mixing and mastering the songs and I was happy to work with an up-and-coming female engineer.   

I really like the differences between the two songs and the dynamic it creates on the double single, with one being more mellow, and the other being heavier. Can you tell me about the meanings behind ‘Losing Game’ and ‘Sad, Bad and Blue’?
There are 2 different stories and they were written at different times throughout the lock down.

Losing Game is about having to move from somewhere you called home back to where you grew up and not knowing what lays ahead, especially post Covid.

The second song, Sad, Bad and Blue is about miscommunication and how some choose not to change their ways especially when you cared and tried to be a friend. 

What are some of your favourite Aussie artists right now? 

I’ve been listening to Jess Locke’s new album “Don’t ask yourself why” it’s fantastic! 

What can fans expect to see next for Verseary?                                                               

Some live shows coming up and I’m looking to record and E.P or Album in a few months. 

A Fools Gold will be available on the 30th of April via Bandcamp.

FOLLOW VERSEARY

WEBSITE | FACEBOOK | INSTAGRAM | BANDCAMP

INTERVIEW: THE SMITH STREET BAND ARE UNPLUGGED IN WOMBAT STATE FOREST

Photo credit Ian Laidlaw

The Smith Street Band have announced their return to live music in 2021, with a series of full band, stripped back, semi acoustic, seated shows in Victoria and New South Wales. Guest writer from Ambedo Magazine, Keely Millikin, had an e-chat with guitarist Lee Hartney to discuss all things tour, coffee beans, and what’s coming next!

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I wanted to start off with talking about your upcoming album, ‘Unplugged in the Wombat State Forest’ which is out on March 5th. What was the inspiration behind doing an ‘unplugged’ album per se?
During Melbourne's long lockdown we discussed the likelihood that if we were going to be allowed to play shows again they would most likely be seated... and none of us are keen on seated rock shows.

So we reimagined a set in a more acoustic stripped-back style that we think fits better for those shows and is something different and fun for us. Because this is so different and new for us we thought we should record and film it in the meantime and release it for this tour, especially for the people who can't make it to the shows or who we can't get to this time around.

I saw that you released coffee beans as a part of promotion for the new album, could you explain the motivation behind doing so? (I love the idea by the way, and had to pick up some up for myself.)
Thank you! I hope you liked it! Well, everyone's a coffee fiend in the band (except me! Ha ha), so just made sense! A few of the others knew Karon coffee as they are locals to the region where our studio is in Wombat State Forest and we wanted to support our local businesses.

You kick off the Unplugged tour in Bendigo, and all of the shows are seated, which is going to be a very different experience as a band. In what ways do you think that will change the dynamic of your shows, and how the audience reacts?
It will be a completely different experience to our normal loud, sweaty, rock shows.

We really hope people enjoy hearing the songs interpreted in a different way. It won't be for everyone, but we have enjoyed creating the set and hopefully that comes across.

What can we expect to see from your upcoming album release?
For the first time we're releasing a cassette tape & DVD. The CD comes with a DVD with a video of the whole album. Plus it's on black and coloured vinyl.

You recently announced some shows in Brisbane in May with the Brisbane Symphony Orchestra. Have you had the chance to rehearse with them yet and how has that changed your music?
We have just started discussions with them so far and organising a suitable setlist for the show. Once all the charts are written we shall be doing a few rehearsals I believe. It's all very unknown territory for us but super exciting! We are going to go in with open minds ready to do whatever we need to make it sound great!

How has the lockdown been for you all as a band? I saw you all spent a lot of time at your headquarters in the Wombat State Forest.
It's the most time we have spent apart from each other in 10 years! I think we have all enjoyed having a bit of self-imposed time off. It gave everyone a bit of time to work on other things and projects in their lives that usually get put on the backburner. And now it's just made everyone more excited to come back together and to get back to playing shows!

Unplugged in Wombat State Forest Out March 5th
on Pool House Records / Remote Control
Pre Order the album here

How has having your home base in the state forest affected your music and you all as a band?
It's great to have a place that we can all go to and just work on music with no other distractions. It allows us the freedom to record with no time constraints (which may not always be a good thing!) which hopefully means we can release better, more creative albums than we have in the past.

And lastly, what can we expect for the future of the Smith Street Band?
Hopefully lots of shows! We are gonna do as much as we are physically allowed to do. Hopefully we can record some new music as well real soon!

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Follow The Smith Street Band on the rest of their tour and for our fellow local Bendigonians, be sure to check out the interview as part of the upcoming Ambedo Magazine issue! This interview was done as part of the upcoming magazine release, written by Keely Millikin.

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INTERVIEW: PSYCHEDELIC PORN CRUMPETS TALK ’SHYGA! THE SUNLIGHT MOUND’

Kicking off her first interview for 2021, Tori caught up with Psychedelic Porn Crumpets frontman Jack McEwan to hear about their new album, SHYGA! The Sunlight Mound. Jack talked about the impact of COVID on the album, the highs and lows of touring and the battle of the aux cord.

PPC were finishing up a tour of the USA and South America, jumped straight into the Australian Summer Festivals and squeezing in a couple of months to write and record their next album when COVID-19 pulled out their plans.

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Was the whole album recorded during covid or pre covid?

It was a bit of both. I started working on it late last year when we got back from America, we got home about November and then we had a couple of months in between Falls Festival and Laneway before we were meant to go on tour with Ocean Alley, which was scheduled for I think last April, so the album had to be finished before that cos we were going to use that as a boost, then swing back into Europe. We had South America and stuff, but obviously that all got cancelled. I was actually so happy, like thank god I could become a human again and write and feel like a musician rather than some hungover Contiki traveller just being like, where am I. It was a chance to sort of reflect a bit and we wrote a lot of that material; I spent a lot of the time writing and didn’t finish the record until about the end of July. I gave myself an extra couple……actually four or five months of writing. It was definitely more of a covid album than the others, definitely a covid record.

It was a blessing in disguise then?

Oh yeah, it was a game-changer, It was the first time I ever felt like time had stopped. Do you know that show Bernard’s Watch? It was sick, it was good.

Speaking of shows, did you have any tv shows or movies that were inspiration?

I have always been a huge fan of Mighty Boosh and Monty python, that kinda like, strange, satirical world where everything is comedy central. A good time. Thinking laterally rather than give you a drama piece. Rick and Morty as well, I absolutely binged that when it came out as well. It felt refreshing, like something that had a twist on something that’s already solidified as an idea or a concept. Like Wes Anderson, he always kind of parodies his own movies. If you can get the joke, with Porn Crumpets, we are the most serious, non-serious band, just living in this mean world, so I was like, well let’s have fun with it and see where we can go rather than kind of take it seriously and be the butt of the joke, it’s like, of course we are. Let’s move on with it and have fun with it.

After listening to the album, I have to ask, Jack: What is a tripolasaur?

A tripolasaur? A friend was in a band called bipolar bear, so I thought rather than call it bipolar bear I’d call it tripolasaur, so it’s a man with three brains, or three personalities? Is bipolar multiple or two? I don’t know? If bipolar is two, then tripolar would be a three headed dinosaur. All the lyrics are about waking up feeling rough but you’re carrying on the same way of drinking each night and the audience kind of understands, and its easy to gather why he is feeling rough. Everyone keeps calling it trip-olasaur cos they’re like, this band is a ‘trip’ band, like trip-olasaur and you’re like try!

I also need to know, Is it Shy-ga? Or Shyg-a?

It’s Shy-ga. [Like tiger?] Shyga like tiger! There you go. I was listening to a lot of Godspeed You! Black Emperor. They had an exclamation mark in their name, and I was like, that’s fantastic, it already evoked an emotion before you even listened to it. I knew I sort of wanted an exclamation mark, and I was trying to think of an uplifting word that was like Eureka. I was throwing bits, Shyga, that sounds like something you would say if you get a hole in one! SHYGA! It was too interesting and ridiculous and stupid not to use it. I kept looking at it on my phone and thinking do I take the serious approach or the wonky way? But I’ve gotta do it, I gotta call it SHYGA!

I feel with a band name like yours you kind of need to say f*ck it and do it?

That’s it. I feel like we paved the way to be absurdist’s. But then if we ever tried to be serious, everyone would be like where’s the joke? We kind of ruined both angles now.

You have always been related back to Tame Impala or King Gizz, is that the same inspiration or have you been listening to anything different?

We spent a lot of time when we were touring, passing around the aux cord was a big privilege and everyone trying to outdo the other person with some strange thing they heard. After maybe a year of passing bands that we had all known, we started going back to 70s rock, like T-rex, David Bowie, all those sorts of zingers who are dad rock now. It feels quirky, but funny, but I love this. So, we all started being dads on tour, on the tour bus. That 70s style. Something about it still felt so fun and vibrant and interesting. We wanted to, or at least I did personally, write a 70s rock record that kind of reflected that but kind of put a twist on it into now. So as I was writing, there was meant to be an album called ‘The Greatest Hits of Sir Norton Gavin’ and that was originally going to be a fictional character in the 60s and 70s who was really big in Margaret River or down south and his music got lost but folklorist. I dunno, be funny trying to do that as more of a spinal tap thing. I scrapped the heavy stuff and the folky stuff, we had Pukebox, Mr Prism and Mundungus and I really liked that flavour. So instead of doing it as a ‘greatest hits’, what if we did a 70s record? You know, Google ‘deep dream’, like deep fake where AI is predicting things. What if we could do that, but predict a 70s rock record. So, all these glitched-out guitars would be in there and sound more sort of like, technological and emulate guitars and real drums and real band. That was the sort of idea of Shyga, that with tour diary inserts. What’s my life? With supercomputer picking up synths.

You have been off for a while; how do you feel about touring with Ocean Alley if it *fingers crossed* goes ahead this year?

Yeah - I love those guys. We first met them in Hamburg of all places at a festival and they did our light show, because we played a gig at like, 12 at night, I think. It was sort of like Big Sound, but the European version. They came and watched us and we didn’t have a strobe light so they kept turning the fader on and off, really quickly. It looked great, it was hilarious. We became good friends, then obviously did Laneway together. I feel like that was one of the best Laneways, for me. I just watched King Gizz for five days or whatever it was. It was amazing.

King Gizz and 1975 every day is not at all terrible!

They actually pulled out of one of them, they got sick. Might have been the Sydney one? One of them got sick, so Gizz were like, we’ve got to headline so they did a two-hour set which was OH MY GOD! It rained too so it added to this, I don’t know, it was such a wicked night.

What is the biggest thing you guys have missed from touring?

Nothing at all. I like being safe and comfortable at home. I don’t know. I think having a good yarn with people and catching up, finding the strangest people in the cities that usually seem to be attracted to a Psychedelic Porn Crumpets gig. I would love to do more sightseeing rather than being hungover in the day. I think, not drinking as much and be planning to do something, but then everyone has to be in agreeance so it’s hard. It’s weird. It’s like being on a strange holiday but it’s not. I would like to go to a festival again though. When we are playing early and get the rest of the day off, I miss that. That’s a great day.

A few big artists have come out of Tik Tok and social media in the last year, do you think you still need promoters, labels pushing things for you? Do you think that’s still important or needed in the music industry?

Well, it’s always changing, isn’t it? I think some people find it easier doing the old school bits and pieces and I think for the younger artist or whoever sort of growing up on tik tok, I mean I would have no idea who they are but if they can pack out a venue, they are going to get big eventually and make people pay attention. I think if you can do all of it, it would be amazing. Try and utilise every angle. I am still the worst on social media, I am so glad we have a manager who deals with it. I can’t do it. I feel like an old soul. I feel like I need a Guinness by the fire with a border collie and I’m happy for the rest of my life. I don’t want to keep up appearances.

One of the songs remind me of a song Hocus Pocus by Focus.

I have heard of that song! I love that Hocus Pocus Focus! That’s so ridiculous. I was going to put it on, have the rest of the interview just Hocus Pocus Focus on. That’s great.

Did you have any special equipment or things you used when recording?

Not so much physical hardware, but I got really heavily involved in sort of the software and like how to warp a guitar and just working out how Ableton and all those features I hadn’t used before. All the glitch guitars and basically every single part and vocal is manipulated, warped or pushed up like an octave or even sometimes two or down to give it this strange visual sort of sound. I got so hooked on it I made it the whole flavour of the record but in hindsight I probably went way too overboard with it.

What can people expect from you this year?

I am working on the follow-up. I kind of have it finished, but I want to take my time. Having a month off to see, is this what I want to release or am I just writing for the sake of writing. But at the moment I am enjoying, it’s sort of different elements which is different to what I did with SHYGA!. SHYGA! was one sound and try and write as much in that frame whereas I am sort of going opposite of that now, how many different styles can I put into one record. I think hopefully more enjoyable. I am stepping up production again.

SHYGA! The Sunlight Mount is now available on all good streaming services. Check it out!

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VOODOO BLOO’S TOP NZ VISITS

It’s what we like to call Australia’s little sister - but they definitely have a bunch of things over us - Jacinda Arden, Hobbitton, the gorgeous landscapes - the list goes on, and here it is! Leading up to his upcoming EP release, here are punk rocker Voodoo Bloo’s top 5 New Zealand faves;

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Wellington CBD - “I couldn’t make this list without talking about the place I grew up. Honestly the coolest city in the world. Everything in the CBD is very compact yet it isn’t overcrowded in the slightest, some of the best pubs you will find anywhere (try and hunt down the secretly placed “R Bar” if you want some pirate-themed rum cocktails and a good time), and street food cheap yet beautiful. What more could you want out of a hometown?”

Rotorua - “Okay, we get it, it smells a little bit eggy when you get there (and when I say a little bit, I mean a lot), but it’s the closest thing we have to an amusement park (sorry Rainbows End, you don’t quite cut it) in our small nation. The Luge and hot springs are especially a highlight, one of the prettiest places to go in summer.”

Mount Maunganui - “Yet another beautiful town in the summer. I actually stayed in a bach up there for 3 weeks recently and like all good New Zealand towns, everything is right at your fingertips. I’m not much for hiking, but the view from the top of the mount is well worth the trek, and unlike my previous pick, no traces of egg can be found anywhere.”

Taco Bell, West Auckland - “If you couldn’t tell, I’ve already ran out of places I wanna talk about in New Zealand, though I would endorse the one and only Taco Bell in New Zealand in a heartbeat (if Taco Bell is reading this, hit me up with that sponsorship deal yeah?). I’ve spent many hungover Sundays from my visits to the busy city in this fast food restaurant, all the perils of uneasiness and post-rager recovery have come to an end as soon as I take a bite out of that beautiful 5 dollar burrito wrap. Am I a simple man for putting this on the list? Probably, but this is my list not yours, so yeah.”

Wellington Airport - “Okay, I’ve not given up on Wellington, and I’m not trying to imply I wanna bail by adding this, but I simply just wanna say that you cannot find a giant gandalf riding a bird in any other airport. Is that not enough for it to be on this list? How about a massive dragon head (Smaug’s to be specific)? No? Alright. Your loss not mine. It’s awesome, 10/10, would fly again.”

Check out the latest release ‘Ha Ha Ok Ok’ below and keep an eye out for the album - ‘Jacobus’ is released Friday, December 4th.

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MUSIC VIDEO PREMIERE & REVIEW: ZACHARY LEO’S ‘IN MY HEAD’ TAKES US BACK TO THE 70’S IN THE BEST WAY

HELLO 70’S VIBES!!!!

The scene opens with a short intro as a beautiful, long haired 70’s style man with a durry hanging from his mouth enters the hallway to answer a phone. Is he being broken up with? Is he being cancelled on? We dunno, but the poor muffin is so sad about it. He sits down next to the receiver and puts out the ciggie, with a short silence as we look deep into his eyes.  He’s got one of those little hallway stands that my Nonna has, it’s so precious. 

I have to be honest- I KNOW I already reviewed the EP and all, but I feel like the song is different now I’m viewing a video? 

Mr Leo has one of those film filters that makes it seem like you're watching a dusty old movie, I thought my screen was dirty for like a split second before remembering that is Leo’s signature style. I wonder what it’s like being stuck in a different era? I love his whole vibe honestly. 

Back to the video and Leo wanders down the hall to the lounge and a stunning record player as the song starts, and this is where the fun begins… 

Who’s sitting behind the bar but the girl in Leo’s headspace…. No spoilers but you’re going to love it like I did. Pure gold... and I’m not talking about the hair.

This whole set is so quirky, do we know if this is where Leo actually lives? There are so many beautiful artistic shots, cutting between Leo strumming away and him lounging around the house, being haunted by the mystery girl. It's just so beautifully mastered and I can’t get over the general aesthetic. 

As it turns out, the whole thing was shot on Kodak Super 8 Film, which makes sense in relation to the actual dusty quality of the film. 

The video feels like it was built on the idea of the song- YES, I know that’s what music videos typically are but this one just is a perfect mesh of Leo’s musical and personal style- it’s subtle but also If you watch, listen to or follow Leo you know what he looks like and can definitely see these comparisons in this video. 

Covid has really hit us all hard in many different ways, but the fact that he was able to film and produce this whole music video during restrictions as well is a testament to his dedication to his music. 

This music video is a kicker. Go and watch it, you need it. It’s so good. Zachary, I adore your costume changes… All of them. 

Huge credit also goes to Brandon Carr, who assisted with Set Design, Directing at his very own house in Melbourne!

Don’t believe us? Watch for yourself as we bring you the exclusive premiere below!

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HOT DONNAS TAKE YOU AROUND THEIR FAVOURITE LOCAL NZ HANGS

HOT DONNAS TOP DUNEDIN EATS

Well we know a few things for certain… Since making their debut in 2017 with the Greek Yoghurt album, Hot Donnas have been releasing music and touring consistently throughout NZ and even out to Australia in the three years since. Their energy on stage is unmatched and with their new music ready to go, the band is champing at the bit for their return to touring. The Dunedin four-piece have been creating music primed to get bodies moving, heads banging and brains hooked on their infectious melodies and fired up rock attitude. Having just released their latest single ‘Two Brains’ the guys are gearing up to drop their EP ‘The Adventures of E-WAN’ on Friday the 13th of November. The last thing we know is that they love food. We mean all of the food. Plus a sneaky bev or 10. 

‘Two Brains’ is the sort of track that could exist in the same sonic landscape as early Arctic Monkeys as it could Queens of the Stone Age. A song about indecision, overthinking and figuring out which way is best to proceed, ‘Two Brains’ is three minutes, fifteen seconds of shredding guitars, thrashing percussion and strangely hypnotic vocals. The perfect dose of rock serotonin for any fan.

“I wrote the hook for ‘Two Brains’ in my head at the end of a big night of foolishness, when I found myself facing a decision of what to do next. The ultimate suggestion throughout the song being that whichever choice I make throughout my life, I will face the nagging pressure from both good and bad influences. And forever be lost bouncing between the consequences of my judgement.” 

Jacob King, Hot Donnas

We spoke to the guys who were able to give us the run down on a few local spots in Dunedin that were never a bad decision for all the good foods, check out the must do’s below.

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Mornington Tavern 

This pub is the local watering hole for the Hot Donnas and a very quick 5 minute stumble from their flat. The taphouse is the perfect place to start your weekend with large pizzas and cheap pints.

Eureka Cafe & Bar

This bar is for when the Hot Donnas lads are feeling fancy. Eureka supplies an ever changing range of the best New Zealand craft beer and cider. Their food is also some of the best you can buy in Dunedin. If it’s a business meeting, it’s a Eureka meeting. 

Cafe Tokyo

This Japanese takeaway is God's gift to the human race. Their crispy chicken rice balls are a thing of beauty. This team never disappoint and are a must-have whilst stopping into the city of Dunedin. Jacob has spent many hundreds of his hard earned dollars at this fine establishment, with not one regret.

North Dunedin Dominoes

You know what it is. It's cheap, it's nasty, but boy does it fill a gap on a sunday after you've spent your last penny in catacombs. hawaiian with a peri-peri swirl is one of the boys' go to choices. The wings here are a thing of beauty too.

Location classified

Last but certainly not least is our good mate and neighbours house. This is one of the greatest spots that Dunedin has to offer. Whether you're starting the party or kicking on at the crack of dawn, this is the place you want to be. DM the boys for the address!

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THE GROGANS GIVE US THEIR BTS VISUAL DIARY FOR ‘DAY / TO / DAY’

The Grogans have given us a sneak peek into their BTS lives for the making of their latest release ‘Got A gIrl’ and their upcoming album ‘Day / To / Day’ - coming out this Friday November 13th!

This picture gives a little look into the gear we use. Quinny’s a master with all this stuff but we all love experimenting with different gear. This was taken when we were recording the guitar track for ‘Graveyard Sleepin’’. We recorded most of this song through an old tape machine. We’ve been thinking about doing a track through tape for a while and thought this would be the perfect track for it as it’s got a really 60’s sound.

Taken just before we started recording “Got A Girl”, I was just trying to get a bit of ring out of my floor tom by whacking some moon gel on the top and bottom of it, not really sure why I was lying underneath it, probably a bit worn out from the day prior. This is a pretty floor tom heavy so I had to make sure it was sounding alright. That sheet of paper had the song structure on it so that I wouldn’t forget, and the beer was so I didn’t get parched. 

This photo is a nice one to look back on. I think we are doing some group vocals for the track ‘Like You’. Group vocals are always fun for heaps of reasons, there’s nothing like belting out some lines with your best mates but group vocals are usually one of the last takes we do for most of our tracks. You really hear it all come together when you lay down the final touches like group vocals. It was probably past 2am in this photo and we’d been recording all day but were still so keen to keep adding to our works and keeping the smile on our dials.

It’s always super important that we have a break from recording every few hours or so. If you’re in the studio non stop it can get pretty tiring so we make sure we get some fresh air and chill out before we get stuck back into it. When we’re recording at Ocean Grove we usually go for a surf or skate to break things up or even just some lunch and drinks on the deck and we’re good as new!

While having a lil lunch break, our manager Cousin Will wanted to get some pics to use for posts and what not. I think it can be pretty hard for us to take serious flicks most of the time, and I think it shows. Gus and I were probably (definitely) trying to push Quin onto the wet grass or something, plus we’d just been recording inside for hours, gotta get some energy out ya know. 

Be sure to check out the album ‘Day / To / Day’ out this Friday, November 13th!

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EP REVIEW: ZACHARY LEO’S ‘FEELS’ IS GIVING US THE FEELS

G’day, kids and kidlets! I know, been a while but here I am, and lawd do I have a stunner for you!

If anyone remembers, I reviewed a sexy little single called ‘Feels’; a beautiful blend of soul, r&b, and some pretty rock vibes all weaved into that mix. 

Well, wouldn’t you know who popped into our email inbox!

Without further ado; I give you….

Feels, an EP by Zachary Leo. 

1: Prelude

Ahh, what a start! This instrumental number is a little bit 70’s, little bit mysterious, and a whole lot of rock. It’s very… music for those good 70’s and 80’s movies- hear me out- Pretty in Pink? It's just so SMOOTH. It’s delicate, slow burning but oh so sensual. This whole intro really sets a high bar for the rest of the EP. It’s so magically weaved together, I can’t even see straight. Where are my glasses???

2: Insane

You know what? I believe there is a vinyl being released on the 20th of November. I am telling you now- I really fucking want one. The transition from Prelude to Insane is LITERALLY INSANE. It’s so smooth and just seamless. What a good start, Mr Leo!

This one is a bit more on the “Rock” side of Zachary’s somehow multifaceted genre. 

I did struggle to understand the lyrics a bit, but I think the focus was the instrumental aspect of this song. It was definitely interesting to hear the somehow unending vocal limit. I understand the angst in this song, this really conveys Leo’s struggle with anxiety and you can feel that? Once you know what the song is, you can hear it. 

All around, it was a really punchy start to the vocal aspect of this EP. Zachary is really mastering the production of his own work, and let me tell you it is hard to stop playing with something until you’re sure that it’s reached it’s peak. This is that peak. The vocals and instrumentals aren’t battling each other for dominance. Everything is working together to create a great sound. Rock is really versatile in that it can basically reach everyone with very little effort. It’s a genre for the people. 

3: In My Head

Hello, gorgeous! This is a really funky little track. I'm wiggling in my seat, it is so easy to move to! I think there is a music video attached to this song, being released early! 

This is way more gentle than ‘Insane’, it’s got remnants of ‘Feels’ so you know it’s a kicker really, it’s got that slow build to the bridge and it just feels like it’s directed at me? I mean, the listener. 

You get your classic Zachary Leo Serenade, with familiar guitar licks and punchy bass. Very good stuff, Zachary. I can dig it. 

4: Interlude

Ah, this feels like the part where you’re supposed to take a breath and relax a little. Every single song on this EP is able to stand on it’s own; and yet they all work together so wonderfully? How does this happen?? 

This interlude is a little bit of lullaby, it’s so soft and delicate, I think this is exactly what the EP needed- just a teeny tiny little breather. 

5: Feels

Now listen; I know I already reviewed this song, however when I heard it again in the order of the EP, I felt like I was hearing it for the first time. I feel like there is a whole other facet to this song that I wasn’t hearing before. It’s a whole new song when tied into this EP. It’s so brooding and I feel like I’m sitting on the couch on hot (Australian) summer night, and Zachary is explaining what he’s feeling towards me, the listener, the partner, the fling-or-something-more, and he's just pouring his heart out, the little muffin. Poor darling. I hear you. When I heard it as a single, I wasn’t sure how it would sound in the EP but now, it fits. Here is the missing puzzle piece. It’s a 6 piece jigsaw but it still needed this song.

6: Out Of Place

Did you think we were leaving the rock behind? You are sorely mistaken, my friend. 

This is such a garage band kind of rock song. It’s super vulnerable but also so wonderful in the sense that we are being pulled in by the delicious guitar and enigmatic drum kicks, and the lyrics just set us down for a great show. This is the garage band your brother and his friend started and you go because his drummer friend is hot but you stay because you love the music. 

This one definitely fits with the title, Zachary definitely puts across that he's feeling out of place in the scenario; I can’t quite pin whether or not he’s been rejected or if it’s coming, but there's a little bit of angst hidden between the rock/grunge guitar riffs, and is that a solo I hear? Yes. Come to mama. 

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Overall, this is a really solid start to Zachary Leo’s Album/EP discography. I believe the songs all worked together to create a beautiful story of love and the mental struggle with comes with that whole thing: rejection, hope, questioning of self worth,; it’s all there if you listen hard enough. 

There is definitely some cohesiveness to each song and the transitions are wonderful, and while I think that while interlude was needed in such a multifaceted EP, it feels slightly out of place in it’ lullaby like form. It was a breath of fresh air from the heavier, rock/funk tracks, but I felt like maybe it could have gone at the end instead of the middle of the track list. A calming, almost moment-of-clarity end to the EP would have rounded it off well. 

In any case, it’s wonderful to see such strong music coming out of Melbourne; it’s looking like the music industry will recover from the hefty times we have all been through as of late. 

Great work, Mr Leo. 

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INTERVIEW: GOOD NEWS EVERYONE - I’M NOT EMO (BUT THE SONG IS)

1. You’ve just released a new single, I’m Not Emo (I’m Just Sad), can you describe the song for me?
I’d say that Emo was our version of a sad boy pop punk song that would’ve come out back in 2015 from a band off of warped tour. 

As a whole, I would say the song is definitely a good mix of an emo and pop punk song, although instrumentally there are a couple of times, such as the second verse and the bridge, where that changes up.  Lyrically, the chorus is basically a description of the point I was at when I wrote this, talking about how I’m not the person I want to be and more and more frequently I would just reminisce on the past. But then there’s also that duality throughout the chorus saying I’m not going to let the past define who I am and that I’ve already come so far from where I was and I can’t let that go to waste.

If I look at the song broadly, I would say that it’s not a song about being sad but more about being hopeful for what’s to come

2. What was the inspiration behind the track?
At the time we started piecing Emo together we were listening to a lot bands like Real Friends, Moose Blood and Pierce the Veil so just naturally we began writing things that were more in that vein. 

As whole though, we all really enjoy the vibe that you get from seeing bands up on warped tour so I think that played a big factor in influencing the song, being that we listened back to it and could see it being something a band on warped would play

I think coming into Emo, we wanted something that was a bit more upbeat that we could have some fun with and I think we achieved that pretty well. 

Right as this was coming together though, Victoria went into its second lockdown which was rough because we weren’t able to catch up with our friends which put me in a really negative place. That’s why there isn’t anything especially complicated about the lyrics, it was straight from my mind to my paper on exactly how I was feeling listening back to the demo

3. As you’re in Victoria, I imagine it must have been challenging to work on new music. How did this single come about with the restrictions in place?
The way that we normally work as a band wasn’t really affected that much by the restrictions. Typically what would happen is I would demo a few songs, have the boys come over and listen to it, pick out parts we wanted to change or fix up and then decide what to do with it. 

With these restrictions all that changed was instead of having the boys come around, I’d just send them a google drive link to the song and we’d go from there.

Once we knew we wanted to put this out, we recorded our parts and sent them off to Jaime Preciado from Pierce the Veil to mix and master and we couldn’t be happier with the result!

4. The music industry has definitely been hit hard with the pandemic. How has this affected you, both mentally and with your music?
For us, we were just starting to get organised to do some gigs and all that so it definitely set us back a long way when it came to what we’d want to be doing right now. Right now though we are going to be getting into a rehearsal studio in the next couple of weeks so at least now we can start making some progress and hopefully get out there and start playing some shows soon!

Mentally, the first month or so of the lockdown left me reflecting a lot on better times and had me thinking about a lot of people and memories that I hadn’t for a long time. It put me in a bad head space and I realised that there was a lot of thing I hadn’t properly worked through and I think that’s probably going to reflect a lot lyrically in our songs that we’ll be putting out later

5. I have to ask...is the band name a ‘Futurama’ reference or just purely coincidental?
Yes it is! One day it got thrown around and we thought it was funny but eventually we couldn’t agree on a name so we stuck with that one

6. What are some of your current favourite Aussie artists to listen to?
Right now I know that Alex is listening to DMA’s, sticky fingers and dune rats. Adam is listening to a lot of Thornhill, Windwaker and Stand Atlantic. I’ve been listening to a lot of The Beautiful Monument, Eat Your Heart Out and Columbus 

7. What can fans expect to see from you next?
We’re currently working on our next EP that’ll be coming out between February and March of next year so that’s always exciting. We’re also now going to be able getting into a rehearsal studio to get ready for some gigs whenever we can so that’s gonna be fun once we can!

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INTERVIEW SERIES: TEENAGE DADS & X PROMOTIONS

Teenage Dad’s released a new single a few weeks back ‘Thank You For The Honey, Honey’ and are playing their first live show for a while via a live stream on Thursday night along with 3 other acts from the Frankston/Mornington Peninsula area brought to you by X Promotions and The Frankston Art Centre.

I caught up with Vincent and Connor this morning to talk about the single, the live stream and I may have caught a few funny stories from the boys!!

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Tell me about Teenage Dads and how you got your name?

Vincent: We’ve been playing gigs since 2017 but we started in 2016 just playing at everybody’s 18th birthday parties. Early on in the band we had a second guitarist, and he suggested the name. It was turned down from another band he was in. We all thought it was funny at the time, so we just held onto it since we didn't really know what we were doing haha. It’s been a good ride so far.

How did you guys get involved with Ryan and Andrew from X Promotions?

Connor: That was through 2016, towards the start of 2017. Andrew had put on a couple of gigs at The Rockstar Bar in Frankston on Sunday afternoons just for young bands, all age events. Some of my friends at the time played in a band and had done a couple of gigs with Andrew. They put in a good word for us and I think that’s how the relationship started with him. We did one of the Sunday afternoons there and have been in contact with Andrew ever since.

Vincent: Yeah he has always thrown opportunities at us the whole way, whether or not we have been able to do them. He’s never forgetting about the local bands that are coming from the area which is really cool. When they came up with this idea I think he said us and the rest of the line up were the first artists him and Ryan thought of and reached out to. Obviously everyone is really keen.

Yeah they said everyone jumped on board really quickly! And they have discovered a really cool AA venue with the Frankston Arts Centre. It sounds like a really great space, having the three to four different areas to play.

Vincent: I’ve only been in the main theatre section which I never thought they would end up using for something like this. The other space we are using Cube 37 we have played in before during a Battle of the Bands. So again there’s the all ages aspect. But I haven’t seen the other spaces. Have you Connor?

Connor: Yeah I did a couple of primary school productions there, but I can’t really recall what it is like inside because it has been over 10 years.

You have a new single out ‘Thankyou for the honey, Honey’

Vincent: Yes we do. We’ve had it for ages, but I think when we once we had recorded it we had a couple of other songs that were ready as well. I guess we kind of planned to release them in this order Pocket Money, Adrenaline Rush and then Thank you for the honey, Honey. We did the first two and that was awesome. Then getting ready to get Honey out around May and Corona happened. We just had to delay it all. I think in some ways it may have been for the better. We are really impressed with how it is doing so far. If we had of put it out earlier in the year we might not have had anything to do all throughout lockdown. I think we have done really well at staying active.

Connor: At the start of lockdown when we were scheduled to put it out we discussed staying on schedule, but it was so unclear. What if we threw this song out there and it just feel on the ground. I think waiting was good in the end. Getting to the point where we knew that it was safe to put a song out and people would hear it. I think at the start of lockdown at lot of stuff could have gotten lost.

There’s been some great stuff come out during Covid

Vincent: And what is still to come that has been written during lockdown.

I saw that guys you had played a few of the bigger festivals like NYE on the Hill and St Kilda Festival.

Connor: Yeah I think NYE on the Hill and St Kilda Festival are probably our two biggest ones. NYE on the Hill was really fun because we played the day before NYE and it was 40 degrees plus. We were so scared with all the bushfires starting to pop up around whether we were actually going to get to play. Our whole area was pretty sweet in regard to that. On stage the wind gusting in at 40 degrees…. They had sandbags on Vince’s cymbals, but they got blown right over half way through the set.  Shit was flying around everywhere! We were in the shade of the stage but everyone in the crowd was getting absolutely char grilled. We had to have lie down after that set, it was pretty rough.

Vincent: Not long after that the typical storm came through it got hectically windy. I think a tree fell on someone, but they were okay. I just remember hearing about that and thinking holy crap.

Connor: It was at Welcome to Country at the start of the day. So there was a big celebration going on and everyone was watching the dancing and you just heard this almighty snap, and this tree falls down. Luckily no one was hurt. Everyone rushed over and helped them out.

You also released an EP last year, how was that received?

Vincent: Yeah Red.

Connor: Yeah it was alright. We had just come off doing our debut album (Potpourri Lake) at the end of 2018. We wrote a bunch of songs that we were really pleased with, it was when our sound kind of changed a little bit. We got Jordan our singer on guitar as well as keyboards. A lot of the songs we were writing were really interesting and exciting for us because we hadn’t played with two guitarists since 2016 when we were a 5 piece. It was exciting to get some of those sounds back. That’s were our songs Message in the Sand, Pocket Money and Taylor came from. I think we pumped that EP out really fast and into the open, but it was still a fun process. I don’t know that it performed as well as we would have liked it to, but it still did well, and we got heaps of opportunities from it.

Do you record in a studio or do you do it in house?

Connor: Jordan did it at Uni for a bit, but he has been teaching himself to do it for a long time. We’ve had one song mastered by someone else and we kept telling Jordan he should have a go at mastering it as well so we could compare them, but he never did! It turned out good but not quite how it does when we do it. It wasn’t that one was better or worse it’s just that we like how Jordan does it better. So we are sticking with that for the time being.

Vincent: If you’re competent enough with the programs you can pretty easily figure it all out. We just enjoy the process too, all being there. It’s easy enough to make changes and not be worried about the ‘time is money’ thing. If you’re getting someone to mix it or something then you’re paying for every change. So it’s good inn those aspects for sure.

Tell me about the story behind the new single.

Connor: Most of the instrumentation I had done I think in 2018. It would have been the last year I was at Uni. I was pretty fed up with Uni and if you take all the lyrics out and just listen to the instruments it sounds heaps more angry than what it turned out in the end. Which is good. I think it’s a good thing that Jordan and I have got going at the moment. With his musicality and lyricism and the way I write songs as well I think we’ve got a pretty good combo going on at the moment. Also our bass player Angus has been stepping up and doing a bit of song writing too which is cool. SO now there is bit more dynamics going on in the song writing process. The lyrics, from what Jordan has explained, it’s about you kind of being left in the dark not knowing if someone just wants you for a short amount of time or if they are in it for the long haul. That’s what I understand from what Jordan has told me about it. Like I said the instrumental part has been around since 2018 but we didn’t do anything with it until 2019, we recorded it all and haven’t been able to use it since, until September when we could put it out. We’ve been playing it since before this time last year, so I think that kind of helped with the anticipation of it. We would announce that we were putting a song out and that it wouldn’t be this song and people would be like ‘Oh come on put out Thank you for the honey, Honey’ already. It was like na we want to put this one out.

Vincent: Pretty much after every show people would message us saying I can’t find that song where is it?

Connor: Or they would put it on Instagram stories asking what’s this song. Or do you guys have this song out? There has been good build up to it. I think being able to practise it for a year before it came out is pretty good too.

I did see someone had written something about it being leaked prior to release, I’m assuming that is what they meant. You guys already playing it live.

Connor: We had a mutual friend leak our song. Often we show our friends to see what they think of songs and get some feedback. It was pretty funny, one of Jordan’s friends put it in a team fortress 2 gaming montage. So he had it in a gaming clip, I don’t know how big his following is, but I assume he has a bit of a following, but people watching started asking what’s this song. There was just silence, he was like I’m not allowed to say what the song is because it’s not supposed to be out yet. It had a couple of changes before release and you’d have to dig pretty deep into YouTube to find it.

I guess you are pretty keen to get on the stage on Thursday night and play

Connor: Yeah it’s going to be good. We are mixing up our set a little bit and trying something that we have wanted to try for a long time. We are going to tandem our songs into one another because there is only a very short set so there are going to be no breaks or end of song, just play them straight through. We are excited to try it out because we haven’t done it before, we also haven’t practised it together either so we could scrap that last minute!

Vincent: We could get into rehearsal and realise we need more time to do it! But we’ll see. Hopefully it works.

Connor: We have some time to rehearse prior to the gig. After taking a bit of break, the first time we play it’s like crap we’ve lost the mojo between us but then the next time it’s like it’s just there again. We are all back in sync with each other. Hopefully that happens on Thursday!

It’s a very talented line-up and I’m looking forward to watching you all.

Vincent: We are super keen. Specially to see Boler Mani.

Connor: I was doing a phone interview the other day and I was saying Boler had his first ever gig in 2018 and my friend group knows him from his sister being in our social group. Everyone was like get down for his first gig and I missed it by like 5 minutes.  So I’m excited to actually see him play.

He has so much content on You Tube.

Connor: Yeah he has heaps of stuff.

And Velvet Bloom are just amazing. Maddy’s voice is something else.

Connor: We have been fans of Velvet Bloom for a long time. They have played a bunch of shows with us.

Had Ryan not sent me the PR pack weeks ago I would be none the wiser about these bands. I’d heard of you guys before but not the other acts.

I also got a little touring story from the guys when they set themselves the task to free camp the entire tour!

We Big 4 a lot when we tour or free camp. On our tour at the start of the year we had a goal to try and not pay for any accommodation for the whole tour. We did really well but there was one night where we couldn’t stay where we were going to, and we had to get an Air BnB at the last minute. But the rest of it we tried to do it without having to book and pay for somewhere. Obviously when people let us stay we buy them beers or dinner or merch. I think it was funny. I think our biggest show in Adelaide we supported Lime Cordiale at HQ, that’s a huge venue and when its full it looks awesome. Some of the other guys rocked up early and we were like where are the rest of the guys? They were like there at the hotel studying for exams.  We were like that is so different from our set up!! We are at the West Beach Big 4.

That’s actually a really good caravan park!!

Vincent: Yeah it is I love it there.

Connor: Actually we were at Wills that time! I remember thinking man I wish we could pay for a hotel (laughs) I reckon out favourite packing the car story is one of the first times we had to fly from city to city. We flew from Melbourne to Sydney to play our own show and then the next morning at 5am to play the HQ show. In Sydney we got a hire car. Vinnie and I were talking about it for ages. Like should we get a sedan or a small hatch. We went with small hatch thinking it would have more space. We rock up to the depot and we have all of our shit and we look at this car. It’s like stuff under the arm, hold cases, bags and stuff and we just looked at it and thought there is no fucking way that this is going to fit in there. Basically it just fit. It was the most ridiculous set up ever. The front seat was pushed right to the front. We had one of the back seats down and Angus and I were just about sitting on each other’s laps!! It was a good time, but I think we will go for a Rav 4 or something next time! We just wanted to cheap out but sometimes its not a good idea.

You get good stories from that and make hilarious memoires.

Connor: I just remember Jordan losing it!! “Who’s fucking idea was this??” That was before we had even attempted to get anything in the car. Just doubt straight from the start, like this is not going to work.

I can relate to that. When I picked up the Diamond Construct boys from the airport we got to my car, which is a Commodore, and just looked at the car and all the gear!! We looked at each other and then at the car and we all had that “how the hell are we going to do this” look on our faces. It was like Tetris packing, but we got it all in.

Last words…

Vincent: Stay tuned because we have more stuff in the works as soon as we are able to record.

Grab a ticket to the live stream on Thursday night here: https://bit.ly/2FV8QOz

Teenage Dads are another band to keep on your radar. Go follow their socials to keep in the loop.

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INTERVIEW SERIES: SUBCULT & X PROMOTIONS

subcult are a young energetic alt/rock band from Melbourne who I think are about to take on the world. Having released their first single Suffocating back in August the band are releasing their second single Medicated on Thursday. You will also be able to watch the band play it live Thursday night at AND WE ARE LIVE  https://bit.ly/2FV8QOz

I caught up with Declan to talk all things subcult.

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Who are subcult?

Well we had our first rehearsal as a band almost two years ago. We’ve all been in a band with Ben before, that’s how we all really know each other. Ben met Lex through school, Adam through a Facebook page and me through a holiday program. We tried playing covers, I think we did an MGMT Kids/Untouched by the Veronicas/Replay by Iyaz cover for our first thing, like all the songs in one! It wasn’t good but it was fun. Three or four months in we finally wrote the first song, that we still play and love. This time last year we decided we were going to record. We put together this big plan, we released Suffocating in August and we are about to release our next single Medicated on Thursday. We’ve been lucky enough to play gigs with Ruby Fields, Crywank and Bakers Eddy. It’s been fun.

When I first went and had a listen to Suffocating I got Terra/Yours Truly vibes straight away.

Fuck yeah. I love Yours Truly and Terra. Shout out to Cassie (Terra) for being the biggest legend. We tend to align ourselves more with the indie/alt rock scene than the pop punk scene, but we get that we are very pop punk, and we all love it.

Tell me about Suffocating.

We were sitting around outside. I brought a guitar out because I just thought why not as we had been trying to write something. I had Ben’s acoustic guitar thinking that it would give my something different, and it did, it gave me that riff. I was like I think I’ve got it. Ben got his other acoustic guitar out and came up with the chords. Lex came up with the vocals. We ended up singing it around the fire pit. The next week we got Adam in because he wasn’t there, and we put it all together. Instead of being the prettiest song we had it was probably the heaviest song we had at that point. Which it definitely didn’t start that way.

Suffocating is about being in a relationship or almost relationship where you are the person who is doing all of the work and it feels like the other person doesn’t really care. You’re constantly waiting on them and you just want them to show that they are actually in, you can’t tell.

I’m digging it. More people need to hear it that’s for sure.

Hopefully our new single will help with that. We’ve got set goals that we want from this song. We don’t have video clip at this stage for the single due to Covid. We have an idea for it but due to restrictions we haven’t been able to do it.

How did you guys get involved in AND WE ARE LIVE?

X Promotions asked if we wanted to be involved. Also I’m mates with the Teenage Dad guys and Boler’s manager. And Velvet Bloom are from here as well.

I spoke to Maddy a few days ago.

Maddy’s a legend.

I just want to watch her sing live!

She’s amazing, that entire band is. I work at Wrangler Studios

AH! That’s why your face looks familiar… photos from the Wrangler FB page!

Yeah Dean has put up enough photos of me. That’s how I know Maddy, from Wrangler.

You guys would be so excited to play live together

Omg don’t even get me started. We’re going to be so under practised though because obviously we haven’t been allowed to get together.  The gig starts at 7.30pm and we are allowed there from 12pm so that’s the time we are going to have to practise together. Last time we came out of lockdown we smashed out our songs without any problems. It will be fine.

Have you played many gigs as subcult?

Our first show was actually at the Frankston Art Centre on the same stage that we are going to be playing. Funny little loop back around it was a show with two other bands Richard and The Twins and Plastic Pash who is name is now Tabloid TV Darlings and they are amazing. They’re awesome, they are like a grunge band.

Who influences you musically?

Before we started writing faster songs we thought that we were Slowly, Slowlyesque. I still that we are. I know the others are really inspired by Neck Deep as well. For me Jeff Rosenstock 100%. We are also influenced by a bit of hip hop which you might not be able to tell.  Waxx, Press Club, Crywank, Ruby Fields and Bakers Eddy. There was one point when I was seeing the Bakers Eddy boys every couple of days, they are my mates, I was going to their shows and thinking ‘Fuck I want my band to be this energetic’. So now we are writing songs like that as well.  

How does your writing process normally go, obviously not around a fire pit!!

Usually Ben or I will come up with a riff, then depending on who is there at the time, if it’s all of us we will usually do all the instruments first. If we aren’t all there then it’s just whoever is, something will happen. Then we build it up from there. The one exception is a song that Lex wrote on her own and then we brought our stuff in. It’s a really pretty song, I’m excited for people to hear that one day.

What are your post Covid plans?

Well personally I really want to tour. I’ve already put together a little tour plan because that’s what I do, I’m an events guy I’m a booking guy! We are going to record as soon as we are out of lockdown, go back to Wrangler and put some tunes down. Release those, mostly as singles but also an EP. Then we will try and get into the studio again as soon as we can. We’ve already got some songs that we reckon are better than Suffocating and Medicated. We love them, but oohhhh wait until you see what we’ve got coming up!!!

Keep your eyes and ears on this young band because they are going places.

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INTERVIEW SERIES: AND WE ARE LIVE!

We all know that Covid has well and truly messed with the music scene this year. X Promotions have taken matters into their own hands to promote some of the best local indie pop/rock, soul and hip-hop acts from the Frankston/Peninsula area. This 60 minute event will be live streamed into your lounge room from the Frankston Arts Centre via their Facebook and YouTube pages:
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Tickets are priced at whatever you can afford and 100% of ticket sales will go to the artists and guest hosts on the night. Support the artists via the ‘Donate Now’ button HERE

 Check out the Facebook event page HERE

Ryan McGeary and Andrew Gorman from X Promotions sat down and had a chat with me about what they are doing and why.

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Well to start with I guess you better tell me about X Productions and what you guys are about.

Ryan: It’s a pretty new venture into the live-streaming stuff. Andrew and I stumbled upon one another with an interest in putting on live shows. Back in the day it was me with my band. We were looking to get some shows. Andrew had an interest in fostering some live shows. We met while doing separate shows and then came together to do some. This is just our next step in the Covid friendly world.

There isn’t anything friendly about Covid!!

Andrew: Ultimately, as much as we love to see the crowds and bands having a great time, we can only do half of that at the moment. With this event, we saw the Frankston Art Centre putting on live-stream events for the traditional theatre type crowds. We though hey there is no reason why some of the younger music acts couldn’t get in on that as well. Thankfully the theatre have jumped on board and the council has backed it as well. There are a few more big announcements to make in the coming weeks, there are a lot of things going our way. Thankfully everyone is loving it.

That’s a really good thing to hear. Good for the bands and for the fans. So there are just the four bands on this bill

Ryan: Yes we are seeing some really talented bands. We are trying to keep it local, there are some really awesome acts down this way that we thought needed the spotlight shone on them a little bit more. Especially during this lockdown. So we have subcult. Velvet Bloom who are.. how would you describe them Andrew?

Andrew: They are a very grass roots soul act. It’s a really cool sound. It’s not a sound that you expect. Maddy the singer has the smoothest voice.

Ryan: Maddy has that voice that as soon as she starts to sing you just lean in a little more than what you were.

And then we have Teenage Dads who have an indie pop sound.  They are just an awesome bundle of joy on a stage. And then we have Boler Mani who is in the hip hop/rap game. Again he is high energy, really good stuff that is well produced. As soon as I saw him I was like cool. It’s tough when there is one person on stage, tough to get that energy across and he’s got it

Teenage Dads

Boler Mani

Andrew: He was also lined up 3 or 4 festivals this year, so this was going to be his break through year.  Teenage Dads have some festival experience. Velvet Bloom has been around on the peninsula for a while. She has broken into Melbourne in a big way, she has a big fan base. subcult have a new single out and are releasing their second single on the night of this show. They have all had stuff put on hold.

Subcult

Velvet Bloom

It’s a good time to be interacting with fans on social media and getting your music out there. Building that fan base so that when gigs return you already have a following.

Ryan: It’s a really good time to ‘gather your supplies’ is what I have been telling people. Strengthen your foundations and get all your processes in place so that when you do get released into the world it goes gangbusters. The really good thing about the acts that we have got at the moment is they were all on the verge of something really great this year. They still are, don’t get me wrong, but using subcult as an example they did shows with Ruby Fields and names like that and it was looking to be a huge year for them. This has delayed them a little bit, but it gives them an opportunity to get more songs under their belt.

Andrew: Support local doesn’t have to be just for your shops. Support your local bands. We aren’t going to see any international acts in Melbourne for at least the next 6-12 months. So we all need to get behind not only Aussie music but the local bands that are in your back yard. All the big bands started out small so let’s help these smaller bands get there quicker.

That’s why I started writing for myself. I want to help promote the smaller grassroot bands that we have in Australia. There is so much talent here. And I’ve been lucky and had so much support from the scene.

Andrew: It’s huge. When Ryan and I were sitting working out how to spread this as far as we can, you don’t discount anyone who has even 50 followers. Speak to whoever you can because it’s not only about getting to 5 big 10,000 follower groups, but also about getting to as many small pages and groups as well. The love comes back and forth amongst these people.

Tell me about And We Are LIVE

Ryan: We have four acts that we have mentioned, so Boler Mani, subcult, Velvet Bloom and Teenage Dads. It will be hosted by the awesome Ali Barter and Oscar Dawson (Holy, Holy) we were stoked when we got the call from them saying they wanted to be involved. It’s hosted at the Frankston Art Centre, for us it’s one of those venues in Frankston that everyone has an experience with. Whether its as a kid in your school play, or as an adult in a lot of theatre based things. They haven’t really dabbled in this scene as much so in our conversations with them they were really excited to be expanding their horizons to a new audience.

Once Covid blows over you have yourselves another venue.

Ryan: I’m going to be there as often as possible. There are some awesome spaces within that venue. There’s something like 3-4 performance spaces, each with their own little quirks. Fortunately we get to cover off a few of them in this live stream, so we are doing it in different ‘studio’ spaces which helps with the changeovers and all that. It also showcases what they have to offer as well.

Andrew: The main theatre is 800 seats, so it’s a huge theatre. The Cube theatrette is 200 seats.

Ryan: The Cube 37 is an amazing space. Its an art gallery mixed with a performance space. When it is set up for a live show it is such an awesome spot.

Andrew: It’s not your traditional pub venue. It’s a world class venue that these acts don’t have access too. This event is not for profit, we are doing this for love as well.

It would be a perfect place for AA shows!

Ryan: I was going to mention that. The world is hanging out for AA shows. If you ask people what their favourite show was there is a 90% chance that the answer is we had this all ages show at this hall. It was an awesome atmosphere. It’s almost like you take the alcohol away and everyone is more invested in the music. It’s something that I hope we can foster. 

We then moved on to genres!!

Andrew: Don’t read a book by its cover!! Ryan gets as dark as any.

Ryan: (laughs) This is my formal attire.

I listen to anything from Country to Black Metal!

Ryan: Good. That’s the way to be though. It’s a thing I have always found with people who are so genre bound with their tastes. When you’re not feeling angry and angsty or if you’re not feeling lovey dovey what are you listening too?? You have to embrace it all and each genre has their own advantage. And bringing it back to the event I think we capitalize on the moment by having four acts that arguably you wouldn’t see on a bill together unless it was a festival setting.

There’s been a lot of talk about bringing back the mixed bill line-ups.

 Ryan: I think the only prerequisite should be that they are good.

100% correct

Ryan: I used to be in bands that sort of did the heavier thing and now I’m dabbling in weird electronic stuff. I would love to be able to still play with those bands, I’d love for their to be a scene that ‘Is it good? Yes. Cool let’s do something together’

Andrew: You have to look at the broad brush. If you have a fine artistic brush and you are just appealing to that one corner you might get your 50-100 people along. Where if you have that bill where you can get the boyfriend bringing the girlfriend and her mate because they all love something different that is on the bill it makes for a great night. And you fill the room. And as Ryan said if it’s good you will.

The diversity was key in this line-up. Funnily enough all four acts were the first four acts that we approached. We thought that we could do it with three acts not expecting them all to jump on board. Being a live stream we didn’t want to have them playing 30-40 minute sets so they each have 15 minute sets so if you’re not loving this genre wait 10 minutes and the next act will be on.

After having a listen to these bands make sure you jump on and purchase a ticket because you are in for an hour of great music by some up and coming talented young Australian bands.

Leading up to event day (THURSDAY OCTOBER 29) we have a series of interview with the artists involved so watch out for those over the coming days!

Hit the links below and give them a follow on their Facebook pages and check out their YouTube channels:

XPROMOTIONS
FACEBOOK

VELVET BLOOM
FACEBOOK
'DM ME' ISO LIVE JAM

TEENAGE DADS
FACEBOOK
'JEANE-CLAUDE VAN JAMME' MUSIC VIDEO

SUBCULT
FACEBOOK
’POISON’ LIVE AT WRANGLER

BOLER MANI
FACEBOOK
'DOOZY’ MUSIC VIDEO

INTERVIEW: SUZE CHATS ‘ABSENCE’ WITH INFINITE ILLUSION

Infinite Illusion have just dropped a new single ‘Absence’ and the boys have definitely taken it up a notch. Liam McDonald filled me in on what has been happening with the band.

How heavy is this new song!!

It’s funny because it’s our heaviest but also our lightest at the same time and I don’t really know how that ended up working. Dynamically it is so different to anything else we have ever done. We like it.

Me too. When I first heard it I was like Wow that went next level!

A lot of it has to do with the fact that our first lot of stuff was written by Sam when he was 15. We are all mid-twenties now, so Sam wrote that nearly a decade ago. We’d all been doing our own thing and when it came around to release it was a joke. We were all just hanging around and were like ‘hey do we want to release some music?’ and it just spiralled from there. And then we just kept going. This is the first real song that we wrote as a band now.

It wasn’t what I was expecting

I don’t think even we were expecting it. We got a new member at the back end of last year and we completely changed everything. We didn’t really have any intention of releasing any other music to be honest, we were a bit stale and then we got a kick to keep going. This is the first song that came out of it. We’ve got a few more coming after this. We are actually going into the studio the day before Absence comes out to start recording another couple of songs. I think after that we are planning to do an album, I’m not 100% sure. We’ll see how we go.

What’s the story behind the song?

The story behind the song is pretty interesting actually. Dan hit me with a concept, I write the lyrics for all of our stuff, but the concepts are somewhere I have always struggled I guess. Well not struggled but I tend to box myself in to certain topics and that kind of thing. It was really good Dan hit me with a concept of PTSD and reclaiming a loss of identity. Which is actually something I resonated quite well with but didn’t put a lot of thought into. It’s a personification of that kind of feeling, of being trapped and trying to come back and overcome depression, anxiety, PTSD, whatever it might be. It’s a very metaphoric story behind reclaiming who you are before mental health kicks in, as opposed to who you are after. And that’s were if you listen lyrically as it goes along it’s very much a song that literally tells a story. It starts off you’re being held back, you’re falling apart. This thing is attacking you. As it gets further along, the chorus tells the main story. As it gets closer to the breakdown, the breakdown hits in the song “I’ll break your fucking jaw myself” is literally a line about turning around and throwing back. Just fighting and getting out. I remember when I sent the boys that lyric, I loved it and I remember writing it and going that’s really cool. I honestly didn’t think I would get away with it, I thought the boys were going to come back and be like you can’t do that its ridiculous. Instead they were like no that’s staying. A lot of the song built on that lyric, that pre breakdown lyric stayed and I edited everything else on the side to really create that story of a reclamation identity. Fighting back against something that I think a lot of people in our scene deal with.

Dan wrote this song at a time when he discovered he has PTSD. Through 2019 he definitely had this big breakdown. He was in a couple of other bands as well and he overwhelmed himself and it broke him. We bought him in as a fill in drummer. I’m good friends with him so I asked if he wanted to fill in for a couple of shows. It was like an instant click, between me and him especially with these concepts and lyrically. And really translating that into music as well. I thought everything kind of clicked and he’s got these incredible experiences, he’s older than the rest of us, that we can write about and really tell some cool stories. This is the first one where we are really focused on the story telling of the song. Even though the music is important I think for us playing this live, when we get that chance, will definitely be a little bit more emotional than anything else we have done. I honestly think it comes across in the track as well.

Like I said when I listened to it I was like what the hell happened between Ill Intent and here?

We took a break to reinvent ourselves in all honesty. We took that break intentionally and everything fell into place.  We have been sitting on this song since January, obviously with a few things kicking in it pushed it back a bit further than we would have liked. But it gave us time to really think about who we were as a band. I think above anything that is a positive. We weren’t being forced to play shows, we had time to pull back and just think “What are we doing here? Who are we? Are we just another metalcore band? Do we want to attach ourselves to politics or mental health? What do we want to do?” We all have different political views so that was a big no, but the one thing we all absolutely resonated with was mental health. Having someone who has had such heavy experiences, my best friend died when I was 16 and Sam has lost a couple of friends, To The Grave losing Josh. We saw all that and we were like this is where we need to be. I think this is the one where we can actually help give people, not so much a space, but give them a soundtrack to that space. And just really focus on doing that. I think that is why lyrically we are pushing this content so much. Lyrically, above anything else, its quite a powerful song and we are really proud of it. I’m proud of the lyrics that I came up with, they came so naturally as well which makes it better.

It wasn’t forced, it came from an experience. It’s not something that you guys have just thought ‘Oh I’m going to write about this cos I can’

Pretty much that’s exactly it. Experience tells those stories better that anything. I think as well when we were writing it we had a big discussion: do we censor it or do we just make it violent. I’m not a big fan of censoring things, I don’t think it’s ever a bad thing to feel uncomfortable. I feel being uncomfortable is a huge part of growth. Obviously people are scared to feel like that, scared to face those truths. We made the song vivid for that reason, if it does make people feel a little uncomfortable that’s okay. It could be good; it might not be good and that’s a risk we had to take.

There is no point writing a song like that and not being real about it.

Definitely. We did get a lot of push back from quite a few people being ‘Guys this is a little bit graphic, you could really trigger some people with these lyrics’ We pulled them back a little bit, but it ended up being like what we had written to start with. The guy that we produced with was just like nah don’t pull back, just do it. You’re not going to make an impact if you are being safe. We were just yep that works let’s just do it.

I would totally back him with that one. If you want something to have an impact on people, don’t water it down. It’s not going to have the same effect.

Exactly. This song is all about that impact for us I think. Our last record wasn’t bad, I’m not a huge fan of it, I would never listen to it. That was the big one for me. This album we really wanted to make that impact. We want people even above anything else to just know out name. Even if they don’t listen to the song, that ok. I just want people to get used to seeing our name around because we have every intention of keeping it there.

You only have the one single ready to go?

In terms of all our demos, we have about 7 or 8 that are being recorded over the next 3 months. The plan is 3 stand alone singles, reinventing our sound and image off the back of those. Then we will do another record. Whether that is an EP, or an album remains to be seen. That depends on a lot of factors.  We are just playing it by ear, one single at a time. None of the singles that we release will be on that record. The record will be totally stand alone as the new version of us. Ill Intent gave us a start but it’s definitely time that we left that behind and really focused on the new version and sound that we have. Except for maybe Afterthought, that’s the only one that will stay around for a little while. We really like that song, and we think it’s a lot more modern than the rest.

I liked the EP!!!

I don’t think it was bad, it just wasn’t anything special. Musically it was good, technical, heavy breakdowns, big riffs. It was cool but there was nothing new about it. It was good if you liked it, but it didn’t hold people. I think it didn’t give people a reason to stay.

This one will if the first single is anything to go by.

I’m a lot more confident with this one. I’m not sure if it’s because I’ve been listening to it by myself for the last 6-8 months! I took a break of listening to it then I came back to it. I was like yes this is good. Its really hard a musician to sit there and praise yourself, questioning could you have down stuff better. But coming back to it, I actually took this lesson off Mikey from Gloom, come back to it and if you still like it, its good.

I’m a classical piano player. I have been my whole life. So for me to join a metalcore band is kind of unheard of. I remember one of my old conductors from an orchestra I played in a couple of years ago was like ‘What the fuck are you doing? How do you make that noise, it’s disgusting’. I was like yep it is but its fucking sick!!

It’s a cool genre to be in. I think as a small band above anything else, its really really cool to be in metalcore. I’ve been in other bands over the years, nothing heavy. Blues and rock and one cover band that I don’t talk about! I’ve played big blues festivals and stuff.  But there’s nothing quite like the support I have experienced in metal. There is nothing quite like the community, it’s so amazing to see a community that is so supportive of each other.

So there will be no touring with this!

There’s nothing in the pipeline. Collide, we have had to push back twice now. Unify is looking like it’s not going ahead as well. It’s shit but at the same time at least we aren’t dead. You have to take the positives. I think it has given a lot of us time to grow as well. Time to reflect. I was working stupid hours, and I know the other guys in the band were the same. We had no time for ourselves. We can either use this time to loathe in the fact that everything has been taken away, or we can use this time to become better. Really reflect on past practises, how we do things and who we are. Make time for other things in our lives. Take the positives out of being forced to do nothing.

I started Recurrent Verse at the end of April and it’s just gone crazy. I’ve already posted 60 articles and I’m getting more everyday

That’s mental. That’s so good. It’s good to see some new publications around.

I only do Australian bands because there is so much happening here. Aussie metalcore is my passion.

That’s the cool stuff. I don’t know what it is about Australian metalcore but far out there is something in the water here. Jesus some of the bands that are coming out like Elision and Inertia. Deadlights, I’ve always been a huge fan of those guys.

I am so keen for new Deadlights. Mesma is in my top 10 all time albums.

It’s such a good record. Elision’s new stuff has been incredible. The technicality in those boys is amazing. They are a very talented bunch of dudes. I have so much respect for them. Inertia as well, they are one of those bands that I think has the ability to blow up. Outloved have just announced a record. I was like omg this is like listening to BMTH but not listening to BMTH!! It had that impact on me. It was like listening to one of my favourite bands. It was so good to hear. There is just so much good stuff out at the moment.

There’s so many new cool bands coming through too like Ghost Complex, Canyon, Tides Collide, Dweller, Wake the Blind so many good bands

And Lune. I forgot about them. Then you look at the big boys and what they are releasing. Alpha Wolf’s record I thought was really good. There’s more coming from other bands. That 2 year cycle has now reduced to 1 year. To see so many bands releasing stuff is so good. I honestly don’t think I have heard a bad release this year.

I haven’t either. Someone said to me that everything I write is always so positive, do you just not review bad bands! I said to them honest to god there had not been a bad release this year.

I think album of the year has to be Make Them Suffer or Currents. They are my two.

I would say at the moment mine would be Alpha Wolf, Make Them Suffer, Saviour and We Set Signals.

Saviour’s was sick too. It means everyone has to step up or you are going to get left behind.

Diamond Construct is another one! Who would think adding a DJ would work… I’m loving all this experimentation in the scene.

It’s super important to do that metalcore has always been such a non-accessible kind of genre. It’s always been you like it or you don’t. That is definitely changing now, metalcore as a genre is changing with bands like BMTH leading the way. Whether you like AMO or not, it has set a standard for what you can do in metalcore. I personally thought it was their best record.

I personally think that 'Absence' is Infinite Illusions best release so far! After talking to Liam I think we are about to see big things come from the boys. Bring on 2021 when hopefully gigs return, and we can see 'Absence' played in a live setting..

‘ABSENCE’ - OUT NOW

CHECK OUT SUZE’S REVIEW OF ABSENCE HERE

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HEAD OVER HEELS FOR ST EMERALD

Move over Bachelorette, MAF’s, and Farmer Wants A Wife, it’s time to turn off the tv and straight onto the radio - or any form of streaming service - to tune into Melbourne indie-pop band, St Emerald, with their new single, Head Over Heels featuring the incredibly talented fellow Melbourne singer songwriter, Jessie Singleton. 

Compared to their EP, Worried Hearts earlier in 2020, Head Over Heels moves away from a full band indie-rock sound and is a sweet love song with the duets to match, as Jessie’s vocals add that layer of tenderness. It’s an interesting direction St Emerald are taking, but one which showcases their adaptability, and further explores their gentle songwriting abilities. 

It’s a gorgeous release from the relatively newly formed group, with finger picking moments sure to strike a chord with fans of Plain White T’s Hey There Delilah. But the melody isn’t overpowering, the acoustic moments blend almost seamlessly with the backing vocals along the way. This track, just over two minutes in length, is an ode to that fairytale-love-stuff which is perfect for those moments spent daydreaming about a future lover. 

Single artwork by: @jamesmactaylor on Instagram

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INTERVIEW: ILLYRIA TALK WARMING UP TO NEW MEMBERS WITH ‘FROSTBITE’

With a new line-up, Perth based Illyria have just released a new single Frostbite. Don’t be deceived by the beautiful, melodic beginning to this song because things heat up to a frenetic pace pretty quick! I’m loving everything about this tune and how it captures so many elements seamlessly. I caught up with vocalist Ilija to talk bands, black metal, self-production and everything in between!

Hey Ilija thanks for taking the time to chat. What does the world need to know about Illyria?
We’re a very small band from Perth just making our way through in this very competitive and busy world. We are currently working on our third album. We play a form of progressive metal that has black and post rock elements it and because of the whole crazy 2020 scenario we are just trying to consolidate and find our feet again.

It’s trying to navigate releasing stuff in a whole new way I guess

It’s not only the whole studio thing. We really miss being on stage and doing the whole live performance thing because that’s another service you provide as a live band. When you’re in Perth, which is so isolated, it’s kind of restrictive.

That’s it. It’s not only having no gigs but having that distance as well.

Especially with the border restrictions. I understand that, but obviously you have to find new ways of getting your music out there which has been a very big learning process.

Totally. The good thing is more people are taking to social media and things like Spotify to discover new music seeing as there isn’t really any other way at the moment. People are engaging more with the bands to which is good to see.

It’s very true. We have noticed an influx for sure. It’s the retention now that we are learning to maintain. It’s cool that you have 25,000 people listening to you this month but how many more are going to keep listening. There’s a lot of new bands and endeavours that are coming in that you have to stay on top of, so we are just still trying to find our way through this. It’s a big learning curve.

It’s good that everyone is in the same position but it’s also really good because it means that everyone is involved. And everything you do doesn’t just represent your backyard it represents the whole planet really. We definitely keep that in mind when we release our music because I think we can safely say that our biggest audience is everywhere but Perth. Not saying that we don’t succeed here, its great but we have a lot of loyal fans in Europe and the Americas and you have to honour that as well.

You having that black metal element would get you a lot of that European audience. Black metal in Australia isn’t as big as it is overseas.

When I created this project it was because of that dire need and urgency that I wanted to bring that sound to somewhere new like Australia. I was living in Europe at the time and got exposed to the sound while I was there and feel in love with it and wanted to bring it back. It’s worked really well. For me personally I actually enjoy the post rock side, the members that used to be in the band were more the black metal side. I still love black metal, but I don’t get into the dark, gloomy clique sort of thing. For me it’s more a way of expressing an atmosphere and ambience to my liking without getting to depressive. I like to think that our music is a little more upbeat, a lot more Australian in some kind of way. We like to bring that charm in.

I think the best way we like to explain our sound to people instead of whipping out genres is us just saying it’s a roller coaster ride of emotion.

I’m not a fan of the genre label.

Yeah. It’s hard to bottleneck bands into genres in my opinion. I think the best way I like to explain it is I like to bring up emotions instead, I think people get that more. We definitely take pride in our music and lyrics.

So who does most of your writing?

I do most of it in terms of the way its all arranged, the foundation of it. I write the guitars and vocals predominantly and the bass player and drummer will review what I’ve done and then we come together and amalgamate it all and put our own bits of flair in. It’s initiated by me or the other guitarist and then we get together and refine it.

Have you guys toured over this side of the country yet?

As Illyria we have only played in WA, but we have all toured over east with other projects. We were looking forward to taking that leap of faith, but this year has been quite the hinderance and I don’t think we are going to be able to do anything anytime soon.

Where did the name Illyria come from?

I was in Ancient History class in year 11 and my first name is Ilija. I was trying to make a solo project at the time and I was struggling with it all and my ancient history teacher got out a map of the Roman empire and one of the provinces was called Illyria’ I had a chat to my teacher and asked how you pronounced it and he was like yeah its Illyria! I told him what I was thinking of doing and he said that it was perfect because it had my name all over it! We did a google search and there was a band called Illyrian at the time, but Illyria wasn’t taken. Google searches for us are interesting because there is a Buffy the Vampire character named the same and historical roman stuff comes up! It’s very charming and it represents me very well. What started as a solo project has now turned into a band 7 years later. I’m very grateful for the journey and for being on this call right now.

That’s is actually a very cool story. What’s the story behind Frostbite?

Frostbite is actually the first song by Illyria that wasn’t written on guitar by me. We have a new line- up now and have two new guitarists. One of them is a good friend of mine and Matt’s that we used to play in bands with called Steph en. He’s a tremendous guitarist to work with, in fact I even consider him one of my massive influences. He’s not played in bands for the past 5 years and he has all these songs banked up. I really liked this demo when I heard it. It’s the first song that I have truly gotten to just focus on the vocals. I wanted to provide something a bit different for the listeners to hear the new line-up. And that we are going in a different direction but still holding on to some of the past. We are just building up our chemistry and the fluency within all of our sounds and styles in the new line-up. Bringing in two new quality guitarists that are far, far better than me technically I really wanted to showcase their ability. Instrumentally this song is quite different. It’s a bit more ambitious but I know thematically and lyrically I don’t think I’ve strayed to far from the path. It’s still about all the typical emotional struggles and battles. I really hope that people like the new package that we are providing. We are working very hard to get our next release out.

You guys have produced everything yourselves?

Yes our bass player produces everything, our new guitarist is a videographer, so he filmed the music videos. And we all have experience in engineering our audio. Everything is through experience and sheer will and desire to do it ourselves. There is actually a whole consortium of self DIY producers in Perth and we all just get together and help each other out. It’s like we are shifting back in to musical tribalism in a way, bartering our services. That works for our dynamic because we are a small community here in Perth.

We love that by self-producing we are not limited to deadlines. We normally take 3 years to release an album, its really nice to have that freedom to go with the flow, to fuel this passionate hobby with four other blokes that you really get along with.

Finally who are your influences?

It ebbs and flows doesn’t it? When I first started this band it was bands like Deafheaven and Lantlos were definitely at the forefront, but you can’t ride on that saddle for to long and you’ve got to find new moments to latch on to. Lately it’s been American Football, Fallujah, Between the Buried and Me and random prog bands from the 70’s. I’m just really stretching out and trying to find stuff that I can latch into to keep writing albums that don’t sound stale.

ILLYRIA ARE:
Ilija Stajic – Vocals/Guitar
Andre Avila – Guitar
Stephen Barrett – Guitar
Daniel Hacking – Bass
Matt Unkovich - Drums

SIR WINSTON’S POSITIVE BEATLES PLAYLIST

 In all of this iso hubbub, Sir Winston is pulling through with the classics. He’s created a playlist of his fave beatles tracks to help him through iso, and we have a feeling all you Beatles fans out there will love it too. 2 hours full of Beatles boogie goodness coming your way! ->

Listen on Spotify: Keep positive and feel good with this playlist of Amazing songs by The Greatest Band Of All Time!

Check out the press release for Sir Winston’s own latest release ‘Hollywood Hills’ HERE!

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