FEATURE: EVIE CHATS TO BEC SYKES ON EDITHVALE AND GIVES US HER RUNDOWN ON THE SINGLE
Every so often you hear a song that completely transports you to somewhere else. It is engulfing, wholesome, and wounding all at the same time. It is that final puzzle piece that makes the end of a relationship make so much sense. It is a memory.
Every so often you hear a song that completely transports you to somewhere else. It is engulfing, wholesome, and wounding all at the same time. It is that final puzzle piece that makes the end of a relationship make so much sense. It is a memory.
Yet Bec Syke’s debut single, whilst seemingly relatable in so many ways, captures a time unique to the beholder. Through the simplistic beauty of stripped-back melodic vocals, Melbourne based singer-songwriter shares Edithvale, a story about the end to a relationship realised by the torching of a car.
“My ex-boyfriend [and I] used to drive down to Edithvale beach in summer,” Bec says. “My ex’s car got stolen and set on fire just after we broke up, so I was thinking about how much of our relationship took place in his car. The car being set on fire was like a symbol of our relationship going up in flames.”
Symbolic to its core, Bec explains the how writing process came to her organically.
“I wrote the song on my family’s upright piano and the chords, melody and first few lines poured out of me so naturally. It was quite cathartic to write.”
The sombre piano chords Bec describes initially set the tone for the song, but it is her opening vocals which induce multiple emotions, many of which I was not prepared for…
I want to be in love again. I don’t want to be friends
It is that line – honest and raw – which takes the listener on a journey told from the front seat of a car in a hot summer’s night. Whilst the song resonates with the pain of a relationship’s end, it doesn’t simply park in the heartbreak, instead it reflects the complex emotions of happier times.
Bec’s vocals are flawless, her storytelling abilities showcased as she draws her listener in to glimpse a memory with intimate closeness. This song doesn’t include all the flashy bells and whistles- nor does it need to, with vocals as mesmerising as hers.
Although a relative newcomer to the music biz, Bec’s talent scored her the chance to work in the studio with Tom Iansek (Big Scary and #1 Dads) which led to the creation of Edithvale. Recently presented with the Josh Pyke Partnership – a yearly grant whose previous winners include Angie McMahon and Gordi – it is safe to say this artist is making headway in the world of music. Bec Sykes is clearly a name to remember, and I cannot wait to hear what is next in store for her.
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INTERVIEW: WILL HYDE - INSPIRATION, ISOLATION, AND WHAT’S NEXT
Evie has a chat with Will about his recent releases, his process, time in isolation, personal experiences and inspirations, and what’s coming up for him in 2020!
Imagine the first time you hear a record of your own voice, or the silence right before someone clears their throat and tells you how they really feel. for will hyde, this uncharted territory has been years in the making. Evie had a chat with will about his recent releases, his process, time in isolation, personal experiences and inspirations, and what’s coming up for him in 2020!
(This is an email Q/A so we’ve left everything just as will wrote it - straight from the…Will’s…mouth'!)
QUICK FIRE
If you could go anywhere right now (pretend lockdown/ the pandemic isn’t a thing) where would you go?
i would love to go to the States!! i wanna go back to LA & NY soon.
If you could have 3 wishes what would they be?
great question.
1) for everyone in the world to live in the present moment (that would take away anxiety, depression - living in the past/future like many of us do).
2) for people to be happy. if we were happier, there wouldn’t be a need to bring negativity into the world.
3) for equality in society. we’re all humans. sexuality/skin colour don’t need to seperate us. we all wanna be loved. we ain’t different, come on my people.
What is one thing you have put on your “bucket list”?
hmm. i actually haven’t thought about this or about a bucket list! i think i wanna spend some time in a silent retreat for a while at a temple in the future. i wanna meet Ekhart Tolle!
Favourite song you are currently grooving to?
i love ‘not fair’ by kid laroi!! i always forget what i’m listening to i had to go to my artist spotify playlist haha (songs that remind me of u - quick plug).
Do you have any pets?
i do! i just got a puppy - his name is Bear. he is a labradoodle. when he yawns he makes a really cute teddy bear sound. i also have a few fish (they don’t get as much attention anymore which feels tough to say).
Best piece of advice you’ve ever received?
hmmm. don’t wait for happiness. happiness will never come if u wait. success won’t change how u feel about urself. the only way u can start feeling better is to make peace with who u are NOW. :)
And now for the serious stuff;
How have you been coping in lockdown? Have you found any inspiration to get creative?
i have been finding it very good for me. i have been learning a lot about myself. i get lost in my head too much, i need to connect with the present moment more often. when i get lost in my head, life doesn’t feel as exciting or satisfying. i actually haven’t felt an effect of lockdown, purely because i got used to working from home when i first left school. routine is important. taking time for myself has been important. i’ve been reading! i’ve been writing a bit. i made two songs which feel super good to me. so it has been positive, yet i haven’t forced anything. i only really make music when i feel inspired!
You started off as one half of teenage electronic duo SŸDE, what led you to follow a solo career?
i like answering this question because it was a defining moment for me. i had a picture in my mind of who i wanted to be, what i wanted to stand for, the people i wanted to keep around in my circle. all of those things made my heart scream to follow my next chapter. we had a great run in SŸDE, a lot of moments i’m proud of, yet i had my darkest days during the period. i found it tough to be myself & the art i was creating while apart of the group just wasn’t me. i felt like i didn’t know how to be myself after leaving, i had to teach myself to be authentic to me. that was a really positive experience. the biggest catalyst was my depression/anxiety which forced a lot of internal change within me. i wanted to write about it, sing about it - the only way i could do that would be to go out on my own. very grateful for those times.
Can you please describe us what your creative process is like, how do you find inspiration for your music?
for sure! i like listening to a lot of music. especially during this period. just sitting back and taking in a bunch of different sounds has always been positive for me. honestly, the only music i listen to is stuff that makes me feel. when i feel something, that inspires me - because i have the opportunity to pass that on and give that to someone else. hopefully they feel some type of emotional connection to the songs i create. music is a gift that keeps on giving. from there, i generally just go about my day & melodies, track titles and production ideas flow thru my brain. when i think i have something great, i will work on it - take it to my notes and flesh it out. i mostly do this process by myself now. i like working with friends who are producers. i enjoy hearing how other people can interpret something i’ve made and make it better. collaboration is amazing like that. i always like to have a solid idea before entering any studio :).
‘easy for u’ is very groovy with a deeper message; it seems to be a bit about the kind of push and pull struggle of a hopeless relationship. Was this song based off an experience you had, or can it relate more broadly all kinds of relationships?
well thank u! i’m glad u felt that. it is based on experience yet i also want to keep my songs applicable to every relationship. there’s love in friendships, ur relationship with ur parents & of course intimately. the hard thing about the struggles of relationships is that it can feel very personal. usually people are just acting in their best interest but it does feel like something could be wrong with me. that’s a maturing thing i’ve let go & can understand now. it takes a few sobering conversations to reach that perspective tho, for sure.
What inspired you to write ‘meant to be’?
i remember going in to the studio session with fergus & dylan thinking about the concept of fractures. how a relationship can be so broken & over but it feels like u could still make something of it. i find for me that getting over people takes time. even tho i make decisions about who i want in my life quickly, if there was a connection, it still is a human that i’ve had memories with, you know what i mean? so sometimes it feels like we really could make amends. the trouble is, humans don’t really change! as much as i can want them to! they don’t usually. that’s a tough reality. a good lesson i’ve learned tho! on & up.
What do you hope people will take away from your work?
i hope people take away that it’s honest & authentic. i don’t want to sugar coat things & i just wanna do me. i spent too long doing the opposite. i hope people see a maturity in it too! most importantly, i hope people can find peace or happiness thru the music. that would be so special! that’s what i do it for.
You have been very open about the topic of anxiety and the challenge of overcoming adversity. How has the challenges in life influenced your music?
thank u. that means a lot to me. i like to think so! in the biggest way possible. it has shaped everything i have done. because of what i have faced, i am the person i am today. i wouldn’t change anything for the world. it has taken me a lot of pain to find peace & start to find true happiness. all of the sobering conversations i have had with myself, when i would cry about shit that was happening in my life, it all has a purpose. that purpose could be as simple as saying this & then it helps one human out there. if it does that, maybe my purpose has been fulfilled. not sure, but either way that’s how i think of it!! i also feel a freedom now with everything i’m creating. i find expressing myself so much easier. because i know myself a lot better. now that i’ve taken a lot of my shadows out of the closet to face, i can be free-er. it feels great!
Who are your favourite Aussie artists? What music inspires you?
i like a lot of the pop underground stuff coming out of the states at the moment. chelsea cutler, jeremy zucker, lany, gracie abrams, sasha sloan. all so dope. from australia, my home, kid laroi is a star. he’s doing a lot for australia. i think ruel is a stud, matt corby is a musician that i was fortunate enough to collaborate with & he is just a truly talented person. probably one of the most gifted all around musicians i will meet in the world.
What does 2020 have in store for you musically?
i have a lot of music coming out!! i’m excited to show different sides of me, i’m fortunate to be able to release music & so i’m just enjoying putting out layers. i have more acoustic performances that i’m recording for the new songs coming out. i have music video’s dropping. hope u love it <3.
Where can we find your music?
u can find me on social media!! ( below :) ). thank u for the interview - this was a lot of fun & i’m grateful for ur time.
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YOUTUBE (there’s good juice on here so try that 1 too).
INTERVIEW: GRACE FARRIS - ‘ALL THE PEOPLE’. GRACE TALKS HER WRITING PROCESS, GROWING UP WITH FAMOUS FAMILY, AND THE STATE OF THE WORLD
Boasting a rich musical pedigree, it’s no surprise that explosive newcomer Grace Farriss is sure to impress and set tongues wagging with her impressive debut single, All The People, a funky fireball of a track with a powerful and timely message - to celebrate the interconnection between the diverse cultures that shape the world. We chat to here about all things GF!
What inspired you to write ‘All the People’?
‘All The People’ was one of those songs that came to me so fast that I even and often asked myself or the universe where did this come from? It came through within an hour and then I had a full song. Including the feel, the groove, the bass, melody and lyrics, the arrangement followed soon after. I feel though that I was tuning into the worldly events happening at the time that really affected me in one way or another and ‘All The People’ came through as almost a song of reassurance for me and for my greater community being the people of the world. We all have our darkness and our lightness to face every day and I feel ‘All The People’ is such a beautiful and very much a uniting song of strength and love. When I wrote my song ‘All The People’ it was one of those rare songs I knew was meant for others to hear and not just for me. Some songs and art is just for myself and some songs I know is for other people to listen to and to share.
Was the idea of the track a slow process or was it something that came to you quickly?
I did not have an idea before writing ‘All The People’ which is unique for me. Some songs I have a feeling about what I am going to write about or a certain emotion I honour while I am writing. Although ‘All The People’ came into my life and through me like a beautiful gust of wind. I wrote it so quickly that the minutes felt like hours and seconds felt like minutes. It is still to this day one of the most awe inspiring songs I have ever written and I still wonder where the understanding for exactly how it wanted to be came to me so quickly. Around an hour to be exact and then the arrangement followed soon afterward.
In light of the recent world events it seems that the notion of coming together is incredibly important right now. What message are you hoping to reach your audience through the lyrics?
My biggest message in my lyrics and music is to come back to yourself and who you truly are and what is your own path in life is as a person as well as coming back to how I can serve within my own community. This is my biggest message that I feel shines through in ‘All The People’. This is usually the place I come from when I am writing. I never write music because someone wants to hear something in particular. I write from the heart with the intention that it will help me find solace in processing these emotions as well as help others in finding and feeling the same emotion and feelings I felt or feel. Which is something that happens naturally because It comes through very naturally. Which is such a beautiful feeling. ‘All The People’ is all about uniting and coming together to do the best we can and to be the best we can for our family, friends and others we meet along the way. I knew it was a very grand song when it came through and I knew where it needed to go as soon as it came to me. The music and the feeling is the most important component to me when writing a song. This came through very strongly for my song ‘All The People’.
The track is incredibly funky, it has effortless amounts of groove brought forth by the combination of drums and the sax. Has the track changed considerably from its conception? What was the recording process like with Tony Buchan?
I knew as soon as I wrote ‘All The People’ that it would be a heavily funky, groove based song. I felt its power and its heart the minute it came out. I had the song two years before I went to record ‘All The People’ so I knew it better that I thought anybody ever could. So when I approached Tony and I was wondering for a long time who to choose as a conscience and producer. I decided Tony could grasp what was going on in my head the most after all of these years. Tony was amazing and his musicianship and knowledge is so incredibly wide. I knew exactly what I wanted for all of my songs and compositions as well as the arrangements on my album ‘Grace’ so to have someone that understood this was a very important and a wonderful feeling. ‘All The People’ was one of my songs I spent the most time on in terms of sound and feels, especially the bass throughout and the way it felt was so important to me. I spent hours and hours and hours getting the bass just right and one day I finally heard it. I would be up all night long figuring out all of the layers, vocals, bass. I wanted to work on ‘All The People’ in the studio as long as possible until I heard in the studio what I could hear in my mind. I was so strict and so focused and firm on creating what was in my head for so long for each of my songs on my album ‘Grace’. I am very much so happy and proud with how each of my songs and compositions turned out. My song ‘All The People’ is one of my greatest songs and I am so proud and so glad it is now there for the world to listen to it.
You have been surrounded by music from a young age, having a father renowned for his songwriting talents with INXS. What was growing up like in such an artistic family?
I was raised in a very normal way. Although we were surrounded by beautiful artwork and beautiful architecture and went to some of the most amazing schools in the world. I think at the end of the day my experiences in nature are what grounded us as a family and me as a child. My father and mother made sure that our childhood was as protected as possible and that nature influenced us as much as possible. If we felt like making art we would. Although I enjoyed history and science and geography so much. I painted a lot growing up and started writing at a very young age. I thought most families were as creative as my family, although this was not always so. I was surrounded by nature everyday growing up. This is the foundation of life and I really honoured this as well as the innovative nature of mankind, which I had a huge appreciation for. I had written over 2000 songs by the age of 18 as well as poems and stories. This came to me so naturally and very much so by my own will and joy for writing.
You seem to be extremely passionate about the environment, being an ambassador for both Sea Shepherd and the Jane Goodall Institute. What is it that inspires you to take environmental issues into your own hands?
I have always been surrounded by nature in its natural state and all at once I find mankind's ability to be creative and innovate equally fascinating. I have found many moments of solitude and some of the greatest moments up until now have been in nature in its natural state. I find you are able to listen to the real rhythms of the earth and your own self rather than others or other people's inventions. I feel that so many children grow up without being in the natural world and the beauty and peace it can bring to someone's life. Being the ambassador for “The Jane Goodall Institute” I am shining a light on her program “Roots and Shoots” which involves families and children and anyone who wants to be involved in growing their own plants and food and growing their awareness of being more connected to the natural world and its need for us to honour it. I believe that Jane Goodall’s work along with many other scientists and people of this nature provide information that is just so wonderful and so integral in the health of our amazing home. My awareness of the natural world has come from many different sources. I grew up around and surrounded by the traditional indengous Aboriginal people of Australia both up in Arnhem land and in Garma festival as well as in my home all of the time. Weaving baskets and learning about the knowledge of the Aborgininal elders and in particular about the plant medicine in different parts of Australia that have influenced me greatly. I grew up on a working farm and near the ocean which brought a lot of solace and comfort to me when I felt I needed it, which also led me to become the ambassador for “The Sea Shepherd Conservation Society”. I garden and bush walk a lot and enjoy looking and being around trees for long periods of time. Listening to the birds and other creatures and the elements is the most uplifting and peaceful feeling to me. My own organisation “The Grace Earth Organisation” will be launched in November/December 2020. My organisation will be a place for people to come and find out more information on the many different ways to help us all to be much more mindful about our footprint and the health of our local environments. It will cover many different topics and areas and will have information from other institutes and organisations as well as there being events to help raise awareness about our connection to the natural world and our place and impact on our ever changing home.
Your debut album, titled ‘Grace’, is set to release later this year. What can fans expect from the new music?
My album ‘Grace’ is one of the proudest moments in my life and I already had 6 of the songs for around 15 years and 4 of them around 2 years before I went on to record my full album ‘Grace’. When a song comes to me I can hear what it wants very clearly and quickly. I listen to the song and what I feel the song is asking to sound like once recorded. This is something I thought very long and hard about for each song I wrote. I consider myself a writer first and foremost and I write everything from the heart, including the arrangements and each layer for each song has its purpose and its place. I loved writing each and every song for my album ‘Grace’. It is one of the greatest achievements of my life and I am so looking forward to others being able to enjoy and listen to my music, dream and find a world of their own within the music.
What are your favourite Aussie artists? What music inspires you?
I really enjoy Australian music. There is so much art and amazing music in Australia that I have so much respect for. I enjoy ACDC, INXS, The Seekers, Paul Kelly, Nick Cave, Slim Dusty, Yothu Yindi, Geoffrey Gurrumul Yunupingu. The music that inspires me the most and I always seem to come back to is classical and traditional indigenous music from all over the world. It feels so beautifully raw and so wonderfully uplifting to me. I have always gravitated towards this kind of music. Hymns and opera music inspires me greatly too and always has. Wolfgang Amadeus Mozart inspires me greatly. When I first heard ‘Clarinet Concerto in A major and A minor, K.622’ I felt it’s lightness, darkness, softness and suspense he carries throughout these entire pieces in particular. So many times these pieces of music have brought me great solace. It is so brilliant and has inspired me more than I can even say. I do not know how to not think of Mozart’s music when reflecting in particular on my own musical arrangements to bring my writings to an accompanied setting.
When I first heard ‘Four Seasons’ by Antonio Vivaldi I laughed and cried with happiness and all of the emotions one might have in each season going about their daily life. I could feel in his compositions the very essence of our natural world and how we change and turn to move with the beautiful season’s we all adjust to through every year. I love how the leaves on the tree’s turn red and yellow in the Autumn and bare in the winter, and how all of the animals and land gets quieter and much more silent, there is a median feeling in this section of ‘Four Season’s’ that is just so incredibly beautiful. Then in Summer and Spring everything feels bright and warm and passionate and so sensual. This very essence is found so deeply and so beautifully in ‘Four Seasons’. This Artist has inspired me so greatly.
“Jules Massenet” When I first heard ‘Meditation From Thais’ for violin and piano. This artist has inspired me so much and I will forever be learning from and unveiling the incredible intricate writings and compositions of Jules Massenet.
INTERVIEW WITH NATHAN CAVALERI: PLAYING WITH JIMMY BARNES, BATTLING LEUKAEMIA, MENTAL HEALTH, AND COMING BACK STRONGER
Evie chats with Nathan about the highs and lows of his crazy - and successful - life, from battling leukaemia as a kid to playing on stage to 10,000+ people on tour. He’s done it all, and he’s stayed strong all the while.
As a kid, having the opportunity to play with the likes of Jimmy Barnes, Diesel and other music legends would have surely been a transformative experience. Could you please describe to us a bit about what that was like?
I went from busking out front of my mum’s coffee shop, to playing on Hey Hey It’s Saturday to playing to 10,000 plus people per night supporting Jimmy Barnes and Diesel on the Soul Deep / Hepfidelity tour. At 10 years old, this was my first real snapshot of what a life in music would feel like. I loved it. Tour buses, semi-trailers, road cases, rehearsals, security, backstage passes, riders, dressing rooms, sound checks, driven by a management team and crew all working to put together a night for both the artist and the audience. It was my first experience on a real stage and as a sponge, I absorbed it all. Watching Jimmy and Diesel sing and play their hearts out leaving nothing but puddles of sweat on stage was a pivotal point in my career. I learnt that playing on stage is not just about expressing yourself. It’s about connecting. For them, it seemed as if they played like it was their last night no earth and as a kid going through Leukaemia at the time, this really resonated with me.
Is there a favourite artist you have played/ worked with?
I have 2 favourites for different reasons. B.B.King and Diesel. Having the privilege of playing 3 songs on stage with B.B. in the middle of his set for 3 weeks on one of his US tours is an experience that I’m still digesting! I learnt so much on tour both through observation and receiving advice. It was also the first time I witnessed blues music on a big stage and was able to see how powerful a blues show can be. My relationship with Diesel has many dimensions. I was learning from him at 10, and I’m still learning from him today. We’ve always bonded over song-writing, production and gear but now as an independent artist and father of 2, our connection has expanded into the world of music strategy as well as the more “human” aspects of being an artist. I love and respect him dearly.
How do you think the highs and lows of your life have influenced your music?
Battling Leukaemia as a kid took a hobby into a form of self-expression and therapy. Even during recent years when I decided to call it quits, song-writing and playing even if alone, brought me catharsis. My empathetic imagination allows me to make art of what I see and feel - Be it experiences that someone else has had or through reflecting on my own, my music is definitely hinged to the dynamics of my life and is the reason why my stage shows and recordings are anything but linear. Weeping melancholy melodies to stink face triggering struts.. It’s all in there!
‘Before You Check Out’ is a beautiful melody, carved by the acoustic guitar and gentle vocals. It has a powerful message, one that you have described as being “a song for those who are low on hope”. What would be your message to those who are struggling in these current circumstances?
There’s always a way. Just because you can’t see a path, doesn’t mean it doesn’t exist. No matter what people say, there’s always a way and there are millions around the world who are proof of this and there are MANY paths to suit all different walks of life. The master key for me was learning to adjust my perception of adversity / discomfort / pain. When we start to see our pain as indicators rather than bullets, the situation goes from bring a battle to an opportunity for growth. I can see and learn more when I’m having a conversation rather than throwing punches or covering up. Most of my growth and resilience has come from challenges in my life. Don’t demonise them. Embrace them. Learn from them and trust that despite how it feels, it’s leading you to good places! An awakening is suppose to feel fucked because unfortunately, growth can only happen outside of our comfort zone.
‘Hug’ is another beautiful track, with the lyrics; “All my hugs come from behind, no matter how many times you walk away from the crime”. Could you please expand on those lyrics? What does the power of forgiveness mean to you?
For years I misunderstood the definition and purpose for forgiveness. I believed that the act of forgiving was the same as condoning and also believed that it’s purpose was to bring relief to the offender. I couldn’t be more wrong. My new understanding is that forgiveness is for the victim and is a form of acceptance. Holding a grudge, wishing something wasn’t so, hating on a past self are all acts of resistance. As long as that resistance is there, our past will continue to haunt us. For some, the past is haunting them daily through memories that are played on repeat. When we reach a state of full forgiveness we’ve accepted and are therefore released from the past. My song “Hug” is about making peace with abandonment. “Better the back of your head than the front of a lie..” means that you are willing to face the truth no matter how much it hurts. “All my hugs come from behind” is a metaphor for forgiving someone who has turned their back on you.
The album ‘Demons’ is set to release on August 9th this year, followed by an album tour. What can fans expect from the new music?
When I was a kid, I had something to play but now I have something to say. It was written at a time when I wasn’t intending on returning to the stage which kept the writing process from being corrupted by business goals. The sentiment of these songs are inspired by my own experiences and those around me. Organically, almost all of the songs relate in someway to how we relate to our “demons”. Whether profound or tongue and cheek, the attitudes of each song mirror the dynamics of my life and are amplified by styles of music that move me the most - Psychedelic folk, hiphop, funk, country all brought together by all my favourite types of blues. On stage, I string these songs together by sharing my own personal stories.
What are your favourite Aussie artists? What music inspires you?
My favourite bands are all over the place - Teskey Brothers, Ash Grunwald, Diesel, Julia Jacklin - OMG Julia Jacklin, Thelma Plum, Baby Animals, Cold Chisel, Guy Sebastian, Dope Lemon, LOVE Dope Lemon, Delta Riggs, Kingswood, King Gizzard & The Lizard Wizard, TAME IMPALA! All different types of music inspires me…If it takes me away and makes me feel something, I’m in!
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