INTERVIEW: BOB EVANS TALKS TOMORROWLAND
Our writer Suze caught up with Bob Evans re. ‘Concrete Heart’ from his upcoming record ‘Tomorrowland’ and more!
You have a new song out?
Yes. I have a whole new record called Tomorrowland that comes out on April 16th. The most recent single is called ‘Concrete Heart.’
It’s a great tune. The sound is almost like The Beatles meets Jebediah.
I guess there used to be a real gulf between Bob Evans and Jebediah but that has narrowed somewhat over the years. The Beatles thing is undeniable. In previous times I have been directly influenced by Beatles stuff and you can hear it over previous records. This time around I wasn’t really listening to or being inspired by The Beatles, but they still managed to sneak in there because the artists that I was listening to a lot were inspired by them! For me when I was trying to figure out how I wanted to present this song, I was listening to heaps of Tom Petty, particularly Full Moon Fever. It is probably his best-known record and I really fell in love with it. Obviously a few of the songs I knew very well because they are such massive hits, but I had never really listened to the whole record properly and its now one of my favourites. There are a few songs on that record that are just power pop songs, guitar power pop. I thought that was the angle I could take with this one.
I read that you had used a bit more electric guitar this time around on the album.
Loads. I mean this really feels like the first traditional rock album that I have made as Bob Evans. Not just because of the instruments we used but also it’s the first time where I have recorded live with my band in a room. Very minimal overdubs, minimal edits. There was just five of us in the room and we smashed out all the songs in like six days. I’ve never done that before. It was important to do because I wanted this record to have its own unique feel and to be a real point of difference to previous records. I had to look at things that I could do differently. A few years ago I wouldn’t have had the confidence to make a record like that. I would have been worried that it wouldn’t be good enough to pull it off. So it’s pretty awesome to be in a band where you look around and you go these guys are great musicians and we can totally do this. And we did.
I also heard a whisper that you are touring.
Yeah. Well, the tour is definitely happening. I’ll be going all around the country. We just have to hope that everything remains open. Obviously, as everyone knows, this year is going to be pretty volatile but at the moment, the way things are going in Australia it looks pretty good.
I reckon things should stay pretty safe in Adelaide.
I’ve just been in Adelaide.
I was just about to say I came and saw you do Club 27 at The Fringe a few weeks back.
Cool, what did you think?
I absolutely loved it.
It was a lot of fun. So I’ve been to Adelaide twice because I did a Jebediah gig there earlier in the year as well. Look everywhere in Australia seems to be doing pretty well, I think there is reason for us to be optimistic. Certainly more so than last year.
Absolutely. So back to ‘Concrete Heart’. I liked where you kind of got the inspiration from. That whole putting stuff up on social media in a discussion that is important to you and having someone call you out for being a ‘bleeding heart’.
What it specifically refers to is when you weigh in on some kind of debate that is political in its nature, you know it might be something to do with immigration for example or perhaps indigenous Australia. You put forward an opinion or a comment that is sympathetic and a lot of people who disagree with you use the term bleeding heart as a dis. I have always found that really fascinating and kind of funny because it’s like the criticism from the other side of the debate is pretty much like ‘Oh you care too much'. Is that really a bad thing? I like the idea of taking this bleeding heart thing and wearing it like a badge of honour and making a bit of fun out of that whole term. Concrete Heart is the opposite of that. I mean at its essence it is serious, but I tried to approach it the song in a light, fun way because it is a little bit funny as well.
It is, because you never get a comment to back up the diss. It’s just you’re a bleeding heart. There is no actual discussion or reasoning why.
Yeah, I don’t even understand what somebody means if they use that term against somebody. What are they really trying to say? I guess they are trying to say that you are too emotional and you’re not rational or logical. Maybe that’s what they are trying to say.
It’s because you are passionate about something. That is why you enter those discussions in the first place.
Having said this, I rarely weigh in on social media debates. I try really hard not to read comment sections around issues that I care about. It can get really depressing when you see the things that people write. It can be a very toxic environment. So yeah it’s not something I do very much.
I just can’t anymore because of that reason. And the more you read those comment sections the angrier you get. Some of them just aren’t going to change their opinions. It’s better to just bow out.
That sentiment is in the song as well. There are lyrics in the song that pretty much say exactly what you just said. I’m the same, you just have to back away because it is not really doing you or anyone else any good.
No, it doesn’t.
Back to Tomorrowland. Are all the songs that little bit more rocky than normal Bob Evans?
I think so. I suppose it’s a lot to do with the attitude with which they were recorded. Like I said with the band recording them live I think it just gives the songs a real kind of electricity and a character.
You get that vibe off of each other being in the studio together.
That’s right. There is a character that I can’t recreate on my own. It really is its own unique thing. I’m really proud of the guys playing on it and what we were able to achieve. And Steve Schram who produced it, it’s a really good sounding record. It’s definitely going to be one of my favourite ones that I have done.
Is there an underlying theme or is it just a collection of 10 songs?
Well, actually there are 11 songs on this record. We were only planning on doing ten and we got up to day six and we only had two songs left. Steve was like “You know we are going to finish early should we try and squeeze one more song in?” I had to go back to my demos and in a very short amount of time I had to choose one. Of course, the guys had to learn it on the spot. All the other songs we had spent rehearsing before we went into the studio. The second to last song on the record is called ‘Fits and Starts’ and it came out great, it sounds awesome, but the guys were literally learning it as we recorded. It’s one of my favourite songs.
Tomorrowland is out 16th April.