It was the battle of the decades in the Workers band room on the night of Friday the 13th. Jervis Bay charmers Debbies fused their Skeggs-reminiscent-surf-punk with looking like they’d just strolled off the set of Puberty Blues, whilst front-woman Hallie appeared like a late 90s fever dream sporting Gwen Stefani No Doubt era vibes, and finally, the cheeky Adelaide duo TOWNS stayed true to blink-182 influences in baggy trousers and flannies and performed a phenomenal cover of Smashmouth’s ‘Allstar’. 

The band has only ever played one other show a few months ago at The Workers Club, but smash cut to Wednesday night, where we die-hard fans stood in the Retreat’s band room, donning thick woolen scarves and clasping pints.

It doesn't really matter who you are, if you're starting the show meekly with your hands in pockets you will definitely be finishing the show covered in sweat and dancing in ways that would have made the old you proud.

Ability Fest was an invigoration of the senses. Not only since it’s the first festival after months in lockdown but it had presented an opportunity.

Whenever I hear the name Drapht, my first thought is instantly, and always will be: Jimmy Recard. King of the castle, king of the barstool. A lot has happened for the Perth hip-hop artist, also known as Paul Reid, since 2003