After two brutal singles have been welcomed into the world, today finally marks the release of Vilify's hard-hitting debut EP, 'Clarity'. Vilify released "Habit" and "Deadweight" in the lead up, both proving to be a searing introduction to the brand new melodic hardcore trio. "Habit" premiered at triple j Unearthed, had subsequent plays on triple j's Short. Fast. Loud directly after and was one of Unearthed's Top 5 of the Week on release before being added to Unearthed rotation the week after. Alternative Press included the single in their '50 New Artists You Need To Hear In November' piece, reviewing with: "Cutting screams accompany haunting guitar riffs that make you feel as if you’re in a foggy dream."

Today, Melbourne's NEON PATTERN SUNDIAL shares the eagerly awaited debut EP One Moment Never Meant A Thing. Sonically diverse and rich in eclectic sounds and textures, the EP contrasts sparkling energy with meditative ambiance, showcasing colourful and thoughtful alt-pop which is both transportive and introspective. Working with producer Marc Scollo (Jimmy Harwood), the EP was recorded and produced over a period of 18 months in Scollo's home studio, enlisting the help of many friends including Alex Siderov (Orange Orange) and Bek Nafiz (The Rollercanes, Lemon Daze), before final mastering by Lachlan Carrick (A.B. Original, Ainslie Wills, Eilish Gilligan).

Holy Shmiv, the newly established solo project of Harry Watson, has just released his debut single ‘Something Random’, to the local Melbourne music scene.

Tired of being underestimated and dismissed, this indie-pop anthem is a call to arms for the youth during one of the most turbulent global climates in history.

Aeroplane Mode have just unveiled their deep-breathing debut 'Settle Down'. The Melbourne-based dream-pop outfit have spent the last couple of years refining their sound before stepping into the studio, and it looks to be paying off.

Siobhan says of the song, “I wanted to get to the core of my feelings rather than be angry at this friend because sometimes things happen and people can’t always be there for you.”

Malaysian-born, Sydney-based artist Dyan Tai has just released his latest track “Freedom.” Known for his liberating lyrics and live-performances, the self-described “Asian empress of the gay streets of Sydney” explores being free in both life and love when it seems unrealistic or impossible to do so.

Sydney indie-pop quartet The Flowers continue their grand entrance into the Aussie music scene, unveiling their latest single “Wore It Like I Stole It”; a track that perfectly couples sensitive lyricism with boisterous sounds.

Passion, energy, unabated and having a good time doing it! After School Care is an exciting fresh talent out of Melbourne, Australia. Forming in 2019, the quartet has thrown themselves; hats and all, into the Melbourne music scene. With toe-tapping riffs, explosive drum fills, vulnerable and impassioned vocals and anthemic choruses, audiences of the band find it difficult not to dance and sing along.

Amping up the tempo and the attitude without sacrificing any of the band’s sun-splattered tone, with the help of producer Chris Collins, ‘Can’t Get It Right’ is a brash, bratty dedication to messing up and starting again. What first appears to be an honest-to-goodness three chord number gives way to a sublimely jangly verse riff that’s more Johnny Marr than Billie Joe.

After the recent release of single ‘Lola’, today A.GIRL drops the accompanying powerful video. The talented artist won FBi’s ‘Next Big Thing’ award and was featured in Taka Perry’s captivating Like A Version on triple j, before sliding across the bench from R&B to hip hop with ‘Lola’.