SLOAN PETERSON SHARES AN ACOUSTIC RENDITION OF HER WITTY BREAKOUT SINGLE “NIGHTMARE”

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Sloan Peterson shares her acoustic rendition of her breakthrough single “Nightmare”. Produced by Hauskey (aka Andy Hopkins) and mixed by Mike Crossey (The 1975, Arctic Monkeys, Wolf Alice), listen to the acoustic track now HERE.

“The beauty of song writing is creating a story or poem with emotive concepts; it could be elements of truth, exaggeration or completely fictional. ‘Nightmare’ is shining a light on the fact that perhaps my expectations in life could come across unrealistic at times, but on the other hand does that really make me a nightmare or just a strong-minded woman who knows what she wants. It's written in a playful relationship sense but questioning the construct of being deemed bossy or controlling rather than assertive or driven. I think it's something a few people might relate too, whether it be a personal, social or professional circumstance.” – Sloan Peterson on “Nightmare


PRAISE FOR SLOAN PETERSON AND “NIGHTMARE

“This is zany, blue-skies – and hugely enjoyable – rendition of a tumultuous relationships”. – Paper Mag

“An exploration of the patriarchy, relationships and saying no in the form of a direct, mid-tempo electronic pop story” – Russh

Here’s three minutes of head-bopping fun for you” – Frankie

It’s a dark and twisted song full of the sort of charisma few artists can convey. ‘Nightmare’ is a massive step-up likely to stop anyone in their tracks” – The Interns

“ One listen will simply be not enough, and you will go back again and again hitting replay on it” – Thomas Bleach

“The song is a melting pot of sounds, with elements of soul, jazz, indie and contemporary pop encased in a utterly unique soundscape” – Women In Pop

Nightmare is truly proof that Sloan’s a star in the making with so much ahead of her, and we’re so bloody excited for her to truly come into her own over the next year” – Cool Accidents

“She’s a vintage-dripped and dangerously edged, on a trail-blazing path to soaring success” – The AU Review 

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