ALBUM REVIEW: FIGURES - OPERATING IN UNSAFE MODE
Figures’ debut album, ‘Operating In Unsafe Mode,’ delves into themes of “...dehumanisation, isolation, oppression and mass media manipulation.” Having previously released two EPs and one single, the five-piece from Melbourne, Victoria, are no strangers to exploring political issues.
The opening song, Failure to React, begins with a slow, intricate build-up composed of multiple elements, including the sound of machines whirring. As soon as the instruments join in, you can hear the level of detail that went into the production, as well as the synchronicity between the musicians.
The next track, Syntax, introduces heavier elements to their sound, particularly with the vocals. Likewise to their first track, it starts with a build up, but instead diverges into a 90’s alt-metal rap verse. Featuring an extremely captivating chorus and noteworthy harmonies, it’s definitely a favourite of mine!
Someone Uninvited follows in similar footsteps, but with an even higher amount of aggression. The clean vocals bleed through the heavier ones in a way that allows them to complement each other.
Underpaid Machinery has a slightly different vibe to the rest of the album, further highlighting their unique take on the alternative metal genre. They discuss oppression and conclude the song by offering encouragement to those subjected to this form of mistreatment.
Beginning with an interesting video game-esque beat, and slowly introducing more instruments, Another Injustice describes the feeling of being enclosed with nowhere to go. About halfway through, the heaviness fades away, leaving room for a softer, melodic section, featuring mellow vocals, guitar, and keys. There’s a strong segue back into the heavier section.
Likewise to its predecessor, Inside You’re Alone, incorporates more canorous features, such as melodic guitar, clean vocals, and an intricate hi-hat pattern. Notably, the overall feeling of the song fits in well with its’ title.
Their next track, Force Feeding, showcases more of their multi-genre talents. Similarly to their second song Syntax, it features distorted, rap vocals and a catchy chorus. The drums in particular stole the show for me!
Matrix Love sounds more melodic and spacey than any of the other songs. Don’t be fooled though, Figures still leaves plenty of room for heavy screams and riffs.
The Circle Bends has a strong opening, with the drums and guitar jolting you upright within the first few seconds. I’m a massive fan of the chorus. It opens up the song before closing it back off to transition into the verses.
The closing track opens with a distorted techno beat before fading out into the heavy section. Arguably one of the heaviest songs on the album, both vocally and instrumentally, Pedestals serves as a worthy concluding track.